Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 4
Sivu 37
... winds of Hell for crimes of passion . The image is repeatedly alluded to throughout Hugo's poem , especially since the image constantly must be before the author's and the reader's mind . The swarm of jinns riding the night wind may be ...
... winds of Hell for crimes of passion . The image is repeatedly alluded to throughout Hugo's poem , especially since the image constantly must be before the author's and the reader's mind . The swarm of jinns riding the night wind may be ...
Sivu 38
... winds of Hell . To Hugo , the bellowing of the jinns is Comme une âme Qu ' une flamme Toujours suit . The pursuing flame is both the traditional fire of Hell and the personification of the souls ' passions , to which they surrendered ...
... winds of Hell . To Hugo , the bellowing of the jinns is Comme une âme Qu ' une flamme Toujours suit . The pursuing flame is both the traditional fire of Hell and the personification of the souls ' passions , to which they surrendered ...
Sivu 49
... wind , mouth , and sensations of four senses ; he has left them unchanged singly , but has distorted the conventional method of putting them together so that the proper sensation does not apply strictly to its proper referent . mixing ...
... wind , mouth , and sensations of four senses ; he has left them unchanged singly , but has distorted the conventional method of putting them together so that the proper sensation does not apply strictly to its proper referent . mixing ...
Sisältö
ENGLISH PATTERN POETRY IN THE SIXTEENTH | 16 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
6 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance Appendix aspects becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete course Crane critics Crucifixion cubist cultural Cummings dark dead death desire developed Directions Dylan Thomas earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical mountain movement nature object original pattern poems pattern poetry perhaps Persian pictorial picture poet poet's poetic practice pray present printed Puttenham reality reason religious revival rhetorical salvation seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical University verse Vision Vision and Prayer visual whole Wings womb wren writing written York