The Art of Literary CriticismD. Appleton-Century Company, incorporated, 1941 - 689 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 84
Sivu 160
... reason to speak to him , or at least who has not a reason to seize the oppor- tunity when it presents itself . Especially when an actor enters twice in one act , whether in comedy or tragedy , he should without ex- ception either give us ...
... reason to speak to him , or at least who has not a reason to seize the oppor- tunity when it presents itself . Especially when an actor enters twice in one act , whether in comedy or tragedy , he should without ex- ception either give us ...
Sivu 454
... reason and imagination , the former may be considered as mind contemplating the relations borne by one thought to ... Reason is the enumeration of quantities already known ; imagination is the perception of the value of those quantities ...
... reason and imagination , the former may be considered as mind contemplating the relations borne by one thought to ... Reason is the enumeration of quantities already known ; imagination is the perception of the value of those quantities ...
Sivu 476
... reason is not misused ; but it is evident that it is misused , and that if reason , for instance , can be confused with poetic genius and their union results in a moral epistle , it cannot be the same thing as that genius which we find ...
... reason is not misused ; but it is evident that it is misused , and that if reason , for instance , can be confused with poetic genius and their union results in a moral epistle , it cannot be the same thing as that genius which we find ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action admiration Æneid Æschylus ancient appear Aristotle artist beauty Ben Jonson blank verse called character charm Chaucer classic comedy composition criticism delight Demosthenes diction divine dramatic Dryden effect English epic Epic poetry essay Euripides excellent excitement expression eyes fancy feeling French genius give Goethe Greek hath heart Homer Horace human idea Iliad imagination imitation judgment kind language Laocoön less literary literature living Longinus manner matter means ment metre mind modern Molière moral nature never novel object painting passion perfect persons philosopher Pindar Plato play pleasure plot poem poesy poet poet's poetic poetry praise produced prose Quintilian reader reason rhyme rules Sainte-Beuve scene sense Shakespeare Sophocles soul speak spirit style sublime taste things thought tion tragedy translation true truth verse Virgil whole words Wordsworth write