Studies in Poetry |
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Sivu 109
expresses love and concern for Absalom . He condemns the rebels promising pardon to those who repent of their follies and accept the supremacy of the king . Dryden does not deal with all the arguments of Charles II either in the Oxford ...
expresses love and concern for Absalom . He condemns the rebels promising pardon to those who repent of their follies and accept the supremacy of the king . Dryden does not deal with all the arguments of Charles II either in the Oxford ...
Sivu 111
The stylistic qualities of Absalom and Achitophel distinguish it from all other satires in English . There is no harshness of tone . The bitterness of vituperation is consciously absent . Neither are there longwinded moralisings .
The stylistic qualities of Absalom and Achitophel distinguish it from all other satires in English . There is no harshness of tone . The bitterness of vituperation is consciously absent . Neither are there longwinded moralisings .
Sivu 112
But this portrait of Shaftesbury is not at all to be compared with the portraits in Absalom and Achitophel . Here too much of personal embitterment mars the poetry . Lines like Power was his aim : but , thrown from that pretence ...
But this portrait of Shaftesbury is not at all to be compared with the portraits in Absalom and Achitophel . Here too much of personal embitterment mars the poetry . Lines like Power was his aim : but , thrown from that pretence ...
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Sisältö
General Introduction to the PreRaphaelite Brotherhood | 3 |
CHAPTER XV | 10 |
Poetical Achievements in The Faerie Queene | 29 |
Tekijänoikeudet | |
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Absalom According achievement action alliteration Ancient Mariner appeared attempt beauty become begins Book Byron called century character classical Coleridge conception considered criticism deal death developed Donne Dryden early effect element Elizabethan England English epic essentially example experience expression fact feeling followed genius gives human ideal ideas images imagination important influence intellectual interest interpretation Italy John Keats Keats's language later lines literary literature living Lycidas medieval Metaphysical Milton mind moral movement nature never origin Paradise Lost passion perfect period philosophical Platonism poem poet poetic poetry political Pope present principle problem Puritanism qualities Queene reason Reformation religious Renaissance represented Romantic Romanticism Satan satire sense Shelley Shelley's shows social sonnets soul Spenser spirit stanza style symbol theme theory things thought tion tradition truth universe verse whole Wordsworth writing