Studies in Poetry |
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Sivu 69
What beauty there is we must therefore seek in the sentiments and images . It is not to be considered as the effusion of real passion ; for passion runs not after remote allu- sions and obscure opinions . Passion plucks no berries from ...
What beauty there is we must therefore seek in the sentiments and images . It is not to be considered as the effusion of real passion ; for passion runs not after remote allu- sions and obscure opinions . Passion plucks no berries from ...
Sivu 221
He likewise dismisses the images of the " tangled boughs of Heaven and ocean " , " the ghosts from an enchanter fleeing " , and the image of the " Meanad's hair " . Professor Leavis concludes that the essential characteristic of ...
He likewise dismisses the images of the " tangled boughs of Heaven and ocean " , " the ghosts from an enchanter fleeing " , and the image of the " Meanad's hair " . Professor Leavis concludes that the essential characteristic of ...
Sivu 223
like the west wind into a " spirit " , Shelley has to use images sug- gestive of vital qualities and invest the west wind with anthropo- morphic and human aspects . This is achieved by the central meta- phor used in each stanza .
like the west wind into a " spirit " , Shelley has to use images sug- gestive of vital qualities and invest the west wind with anthropo- morphic and human aspects . This is achieved by the central meta- phor used in each stanza .
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Sisältö
General Introduction to the PreRaphaelite Brotherhood | 3 |
CHAPTER XV | 10 |
Poetical Achievements in The Faerie Queene | 29 |
Tekijänoikeudet | |
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Absalom According achievement action alliteration Ancient Mariner appeared attempt beauty become begins Book Byron called century character classical Coleridge conception considered criticism deal death developed Donne Dryden early effect element Elizabethan England English epic essentially example experience expression fact feeling followed genius gives human ideal ideas images imagination important influence intellectual interest interpretation Italy John Keats Keats's language later lines literary literature living Lycidas medieval Metaphysical Milton mind moral movement nature never origin Paradise Lost passion perfect period philosophical Platonism poem poet poetic poetry political Pope present principle problem Puritanism qualities Queene reason Reformation religious Renaissance represented Romantic Romanticism Satan satire sense Shelley Shelley's shows social sonnets soul Spenser spirit stanza style symbol theme theory things thought tion tradition truth universe verse whole Wordsworth writing