Studies in Poetry |
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Sivu 79
( b ) Similes and Epic Similes in Book I. The general effect of Book I depends on the use of similes and epic similes ( or Homeric similes ) by Milton . Both the simple simile and epic simile are devices used by Milton to enhance the ...
( b ) Similes and Epic Similes in Book I. The general effect of Book I depends on the use of similes and epic similes ( or Homeric similes ) by Milton . Both the simple simile and epic simile are devices used by Milton to enhance the ...
Sivu 82
Some of the important technical aspects of Milton's epic style are the use of epic similes ( sometimes called historic parallels ) , the principle of alliteration , classical syntax and idiom . We have already dealt with epic similes .
Some of the important technical aspects of Milton's epic style are the use of epic similes ( sometimes called historic parallels ) , the principle of alliteration , classical syntax and idiom . We have already dealt with epic similes .
Sivu 152
He prefers similes to metaphors . The metaphor is more suggestive , but vague and undefined . In the simile we have a formal assertion and clarity of comparisons . The simile was thus more suitable to the neoclassic conception of ...
He prefers similes to metaphors . The metaphor is more suggestive , but vague and undefined . In the simile we have a formal assertion and clarity of comparisons . The simile was thus more suitable to the neoclassic conception of ...
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Sisältö
General Introduction to the PreRaphaelite Brotherhood | 3 |
CHAPTER XV | 10 |
Poetical Achievements in The Faerie Queene | 29 |
Tekijänoikeudet | |
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Absalom According achievement action alliteration Ancient Mariner appeared attempt beauty become begins Book Byron called century character classical Coleridge conception considered criticism deal death developed Donne Dryden early effect element Elizabethan England English epic essentially example experience expression fact feeling followed genius gives human ideal ideas images imagination important influence intellectual interest interpretation Italy John Keats Keats's language later lines literary literature living Lycidas medieval Metaphysical Milton mind moral movement nature never origin Paradise Lost passion perfect period philosophical Platonism poem poet poetic poetry political Pope present principle problem Puritanism qualities Queene reason Reformation religious Renaissance represented Romantic Romanticism Satan satire sense Shelley Shelley's shows social sonnets soul Spenser spirit stanza style symbol theme theory things thought tion tradition truth universe verse whole Wordsworth writing