Studies in Poetry |
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Sivu 82
syntax are different from the normal diction and syntax of the English language , no serious criticism was levelled against his style . Milton chose blank verse as the medium of his expression hitherto unused in the epic field .
syntax are different from the normal diction and syntax of the English language , no serious criticism was levelled against his style . Milton chose blank verse as the medium of his expression hitherto unused in the epic field .
Sivu 83
These devices impart a classical tone to Milton's style . At the same time , they are outlandish , and inconsistent with the normal use of the English language . Milton has , therefore , been criticised as having written a Babylonish ...
These devices impart a classical tone to Milton's style . At the same time , they are outlandish , and inconsistent with the normal use of the English language . Milton has , therefore , been criticised as having written a Babylonish ...
Sivu 129
which an age forms for itself which will increasingly modify its creative writings and its style of expression . The Augustan age is not one of metaphysical and theological distinction . On the contrary , it had its belief in a moral ...
which an age forms for itself which will increasingly modify its creative writings and its style of expression . The Augustan age is not one of metaphysical and theological distinction . On the contrary , it had its belief in a moral ...
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Sisältö
General Introduction to the PreRaphaelite Brotherhood | 3 |
CHAPTER XV | 10 |
Poetical Achievements in The Faerie Queene | 29 |
Tekijänoikeudet | |
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Absalom According achievement action alliteration Ancient Mariner appeared attempt beauty become begins Book Byron called century character classical Coleridge conception considered criticism deal death developed Donne Dryden early effect element Elizabethan England English epic essentially example experience expression fact feeling followed genius gives human ideal ideas images imagination important influence intellectual interest interpretation Italy John Keats Keats's language later lines literary literature living Lycidas medieval Metaphysical Milton mind moral movement nature never origin Paradise Lost passion perfect period philosophical Platonism poem poet poetic poetry political Pope present principle problem Puritanism qualities Queene reason Reformation religious Renaissance represented Romantic Romanticism Satan satire sense Shelley Shelley's shows social sonnets soul Spenser spirit stanza style symbol theme theory things thought tion tradition truth universe verse whole Wordsworth writing