Studies in Poetry |
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Sivu 27
It further enables him to view the beauty of the visible world as a symbol of the divine beauty . He dwells on beauty with greater earnestness . Beauty is not enervat- ing . It leads the way to a high seriousness of soul .
It further enables him to view the beauty of the visible world as a symbol of the divine beauty . He dwells on beauty with greater earnestness . Beauty is not enervat- ing . It leads the way to a high seriousness of soul .
Sivu 176
The central symbol of the poem is the child . The child is part symbol and part reality . The ambivalence of this symbol of the child constitutes the central difficulty of the poem . The opening and closing of the poem deals with the ...
The central symbol of the poem is the child . The child is part symbol and part reality . The ambivalence of this symbol of the child constitutes the central difficulty of the poem . The opening and closing of the poem deals with the ...
Sivu 196
He thus establishes a cluster of symbols consisting of wind , bird , mist , moon which belong to imagination . " Breeze " is taken to be the creative wind ( see " The Eolean Harp " ) . The shooting , on the secondary level , is also a ...
He thus establishes a cluster of symbols consisting of wind , bird , mist , moon which belong to imagination . " Breeze " is taken to be the creative wind ( see " The Eolean Harp " ) . The shooting , on the secondary level , is also a ...
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Sisältö
General Introduction to the PreRaphaelite Brotherhood | 3 |
CHAPTER XV | 10 |
Poetical Achievements in The Faerie Queene | 29 |
Tekijänoikeudet | |
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Absalom According achievement action alliteration Ancient Mariner appeared attempt beauty become begins Book Byron called century character classical Coleridge conception considered criticism deal death developed Donne Dryden early effect element Elizabethan England English epic essentially example experience expression fact feeling followed genius gives human ideal ideas images imagination important influence intellectual interest interpretation Italy John Keats Keats's language later lines literary literature living Lycidas medieval Metaphysical Milton mind moral movement nature never origin Paradise Lost passion perfect period philosophical Platonism poem poet poetic poetry political Pope present principle problem Puritanism qualities Queene reason Reformation religious Renaissance represented Romantic Romanticism Satan satire sense Shelley Shelley's shows social sonnets soul Spenser spirit stanza style symbol theme theory things thought tion tradition truth universe verse whole Wordsworth writing