YORK. Then fwear allegiance to his majesty ; As thou art knight, never to disobey, Nor be rebellious to the crown of England, [Exeunt. SCENE V. London. A Room in the Palace. Enter King HENRY, in conference with SUFFOLK; GLOSTER and EXETER following. K. HEN. Your wond'rous rare defcription, noble earl, Of beauteous Margaret hath astonish'd me: SUF. Tufh, my good lord! this fuperficial tale 9 So am I driven,] This fimile is fomewhat obfcure; he seems to mean, that as a fhip is driven against the tide by the wind, fo he is driven by love against the current of his interest. Would make a volume of enticing lines, And, which is more, fhe is not so divine, K. HEN. And otherwife will Henry ne'er prefume. Therefore, my lord protector, give confent, GLO. So fhould I give confent to flatter fin. How shall we then difpenfe with that contract, SUF. As doth a ruler with unlawful oaths; A poor earl's daughter is unequal odds, GLO. Why, what, I pray, is Margaret more than that? Her father is no better than an earl, Although in glorious titles he excel. 2 —at a triumph-] That is, at the fports by which a triumph is celebrated. JOHNSON. A triumph, in the age of Shak fpeare, fignified a public exhibition, fuch as a mask, a revel, &c. Thus, in King Richard II: "What news from Oxford? hold those jufts and triumphs ?” STEEVENS. See A Midsummer Night's Dream, Vol. V. p. 6, n. 5MALONE. SUF. Yes, my good lord,' her father is a king, The king of Naples, and Jerufalem; And of fuch great authority in France, As his alliance will confirm our peace, And keep the Frenchmen in allegiance. GLO. And fo the earl of Armagnac may do, Because he is near kinfman unto Charles. EXE. Befide, his wealth doth warrant liberal dower; While Reignier fooner will receive, than give. SUF. A dower, my lords! difgrace not fo your king, That he should be fo abject, bafe, and poor, And not to feek a queen to make him rich: Not whom we will, but whom his grace affects, 3 my good lord,] Good, which is not in the old copy, was added for the fake of the metre, in the fecond folio. MALONE. by attorneyfhip;] By the intervention of another man's choice; or the difcretional agency of another. JOHNSON. This is a phrafe of which Shakspeare is peculiarly fond. It occurs twice in King Richard III : Again: "Be the attorney of my love to her." 66 I, by attorney, blefs thee from thy mother." STEEVENS. It moft-] The word It, which is wanting in the old copy, was inferted by Mr. Rowe. MALONE. Whereas the contrary bringeth forth bliss," Whom fhould we match with Henry, being a king, As is fair Margaret, he be link'd in love. Then yield, my lords; and here conclude with me, That Margaret fhall be queen, and none but she. K. HEN. Whether it be through force of your report, My noble lord of Suffolk; or for that 5 Whereas the contrary bringeth forth blifs,] The word-forth, which is not in the firft folio, was fupplied, I think, unneceffarily, by the fecond. Contrary, was, I believe, ufed by the author as a quadrifyllable, as if it were written conterary; according to which pronunciation the metre is not defective: Whereas the conterary bringeth bliss. In the fame manner Shakspeare frequently ufes Henry as a trifyllable, and hour and fire as diffyllables. See Vol. III. p. 199, n. 7. MALONE. I have little confidence in this remark. Such a pronunciation of the word contrary is, perhaps, without example. Hour and fier were anciently written as diffyllables, viz. hower-fier. STEEVENS. Will answer our hope in iffue of a king;] The ufelefs wordour, which deftroys the harmony of this line, I fuppofe ought to be omitted. STEEVENS. As I am fick with working of my thoughts." That lady Margaret do vouchsafe to come [Exit. GLO. Ay, grief, I fear me, both at first and last. [Exeunt GLOSTER and EXETER. SUF. Thus Suffolk hath prevail'd: and thus he goes, As did the youthful Paris once to Greece; As I am fick with working of my thoughts.] So, in Shakfpeare's King Henry V: "Work, work your thoughts, and therein see a fiege." MALONE. 8 If you do cenfure me &c.] To cenfure is here fimply to judge. If in judging me you confider the paft frailties of your own youth. 9 ruminate my grief.] JOHNSON. Grief in the firft line is taken generally for pain or uneasiness; in the second specially for forrow. Of this play there is no copy earlier than that of the folio ia |