Voice and Speech in the TheatrePitman, 1956 - 148 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 19
Sivu 5
... effect of imprinting the character of the vowels on the tone . If we assume the shapes indicated by the letters a , e , i , o , u , the resonator functions in a dual capacity . We hear not only the tone of the voice which is the direct ...
... effect of imprinting the character of the vowels on the tone . If we assume the shapes indicated by the letters a , e , i , o , u , the resonator functions in a dual capacity . We hear not only the tone of the voice which is the direct ...
Sivu 29
... effect . 4. Perfection of the shapes which mould the tone and give it particular character in the form of vowels . We cannot materially alter the inherent shape of the cavities . If the palate is highly arched , for example , it cannot ...
... effect . 4. Perfection of the shapes which mould the tone and give it particular character in the form of vowels . We cannot materially alter the inherent shape of the cavities . If the palate is highly arched , for example , it cannot ...
Sivu 53
... effect is produced , whereas , if the same note be sung with maximum expansion of the cavities , the difference in resonation is marked , and the added sonority obtained has the effect , apparently , of lowering the pitch of the note ...
... effect is produced , whereas , if the same note be sung with maximum expansion of the cavities , the difference in resonation is marked , and the added sonority obtained has the effect , apparently , of lowering the pitch of the note ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
achieved acquire actor AH OO articulating organs articulatory audibility becomes berlade breath cavities centre note character CHRISTOPHER FRY clarity consonantal consonants correct demands developed diaphragm DIPHTHONG emotional excitor exercise exhaled expansion explosive fingers forward give HAH HEE HAH HOO heard inflexion instrument John Masefield larynx lips lower lungs means Merchant of Venice mouth move movements muscles muscular nasal consonants nasal resonance necessary Noel Coward nose open jaw pairs perfect pharynx play position prefixed pronunciation relaxation resonant pitch result rib-reserve ribs scale sense shape singing Sirmio soft palate sound speak speakers sung syllable tension THAH THAY THEE theatre THOO THAW THAH thou tone tongue tip triphthongs utterance vibrator vocal cords voice and speech Voice Types vowel W. S. GILBERT whilst whispered whole words НАН НЕЕ НАН НОО