Voice and Speech in the TheatrePitman, 1956 - 148 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 22
Sivu 35
... remain extended whilst the breath passes out and in by the raising and lowering of the diaphragm . When this can be done satisfactorily , a separate breath is used for each position , whilst the ribs remain extended . Thus the diaphragm ...
... remain extended whilst the breath passes out and in by the raising and lowering of the diaphragm . When this can be done satisfactorily , a separate breath is used for each position , whilst the ribs remain extended . Thus the diaphragm ...
Sivu 50
... remains closed , but the lips are relaxed , and the vowel is sung . Finally , the jaw is opened , and the loose lip position retained ... remain " true " from start to finish and there must be no suggestion 50 VOICE AND SPEECH IN THE THEATRE.
... remains closed , but the lips are relaxed , and the vowel is sung . Finally , the jaw is opened , and the loose lip position retained ... remain " true " from start to finish and there must be no suggestion 50 VOICE AND SPEECH IN THE THEATRE.
Sivu 52
... remain constant in passing through any of the series of shapes . Compass In the establishment of tone up to this ... remains unimpaired , irrespective of the speech movements which are superimposed upon it . The tone , in other words ...
... remain constant in passing through any of the series of shapes . Compass In the establishment of tone up to this ... remains unimpaired , irrespective of the speech movements which are superimposed upon it . The tone , in other words ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
achieved acquire actor AH OO articulating organs articulatory audibility becomes berlade breath cavities centre note character CHRISTOPHER FRY clarity consonantal consonants correct demands developed diaphragm DIPHTHONG emotional excitor exercise exhaled expansion explosive fingers forward give HAH HEE HAH HOO heard inflexion instrument John Masefield larynx lips lower lungs means Merchant of Venice mouth move movements muscles muscular nasal consonants nasal resonance necessary Noel Coward nose open jaw pairs perfect pharynx play position prefixed pronunciation relaxation resonant pitch result rib-reserve ribs scale sense shape singing Sirmio soft palate sound speak speakers sung syllable tension THAH THAY THEE theatre THOO THAW THAH thou tone tongue tip triphthongs utterance vibrator vocal cords voice and speech Voice Types vowel W. S. GILBERT whilst whispered whole words НАН НЕЕ НАН НОО