Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 81
Sivu 426
... accept the rather naive and unsophisticated ethical code to be found side by side with the most penetrating psycho- logical analysis , just as the inability of some Romantic critics to accept the dogmatic religious and moral outlook of ...
... accept the rather naive and unsophisticated ethical code to be found side by side with the most penetrating psycho- logical analysis , just as the inability of some Romantic critics to accept the dogmatic religious and moral outlook of ...
Sivu 432
... accept a conventional world - view , and against this accepted pat- tern weave their own particular embroideries . In the case of the play - wright this may mean accepting a world - view which has already been crystallised into ...
... accept a conventional world - view , and against this accepted pat- tern weave their own particular embroideries . In the case of the play - wright this may mean accepting a world - view which has already been crystallised into ...
Sivu 444
... accept these limitations with equanimity , do his best , " play the man well and duly , " and take the prom- ise of a better world on something like faith . Webster , on the other hand , was not satisfied to accept the injustice of the ...
... accept these limitations with equanimity , do his best , " play the man well and duly , " and take the prom- ise of a better world on something like faith . Webster , on the other hand , was not satisfied to accept the injustice of the ...
Yleiset termit ja lausekkeet
Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba