Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 81
Sivu 25
... bring the framework to support my shield . D. Boy , bring the bakemeats to support my frame . L. Bring here the grim - backed circle of the shield . D. And here the cheese - backed circle of the cake . L. Is not this - mockery , plain ...
... bring the framework to support my shield . D. Boy , bring the bakemeats to support my frame . L. Bring here the grim - backed circle of the shield . D. And here the cheese - backed circle of the cake . L. Is not this - mockery , plain ...
Sivu 49
... bring back a specific dramatic poet ) with the cen- tral theme of the agon ( the importance of the moral and political content of tragedy ) . Dionysus thus suddenly be- comes the principal exponent of this theme . The resulting change ...
... bring back a specific dramatic poet ) with the cen- tral theme of the agon ( the importance of the moral and political content of tragedy ) . Dionysus thus suddenly be- comes the principal exponent of this theme . The resulting change ...
Sivu 167
... bring them into the state of contemplation ; in this night the spirit likewise has a part . . . . And the second night , or purification , pertains to those who are already proficient , occurring at the time when God desires to bring ...
... bring them into the state of contemplation ; in this night the spirit likewise has a part . . . . And the second night , or purification , pertains to those who are already proficient , occurring at the time when God desires to bring ...
Yleiset termit ja lausekkeet
Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba