Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 88
Sivu 182
... Death that permeated late medieval sermons and homiletic literature . More a popular obses- sion than a theme , the Dance largely developed in histori- cal consequence of the Black Death and the frequent out- breaks of plague that ...
... Death that permeated late medieval sermons and homiletic literature . More a popular obses- sion than a theme , the Dance largely developed in histori- cal consequence of the Black Death and the frequent out- breaks of plague that ...
Sivu 352
... death ! No , there is no possibility whatever of defending Hedda ; not , anyway , if we consider her in the light of convention . But it is not , of course , in this light that Ibsen wishes us to scrutinize Hedda . To condemn her , as ...
... death ! No , there is no possibility whatever of defending Hedda ; not , anyway , if we consider her in the light of convention . But it is not , of course , in this light that Ibsen wishes us to scrutinize Hedda . To condemn her , as ...
Sivu 371
... death to the accompaniment of throbbing drums and costumed dancers . These occasions contrast sharply with the politely correct costume ball held by pallid British co- lonials . The drama in Death and the King's Horseman is more subdued ...
... death to the accompaniment of throbbing drums and costumed dancers . These occasions contrast sharply with the politely correct costume ball held by pallid British co- lonials . The drama in Death and the King's Horseman is more subdued ...
Yleiset termit ja lausekkeet
Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba