Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 85
Sivu 81
... force of revolt in this play is embodied in the hero , Diego , who becomes a central and unambiguous figure as he escapes from the deadly grip of the Plague . He stirs up the latent forces of energy and freedom among the inhabi- tants ...
... force of revolt in this play is embodied in the hero , Diego , who becomes a central and unambiguous figure as he escapes from the deadly grip of the Plague . He stirs up the latent forces of energy and freedom among the inhabi- tants ...
Sivu 210
... force is personal passion . Lorca's tragedy , then , resides in the domain of passion : passion destroys itself and its possessors , the personal can ultimately only come in conflict with the social , the social enlarges itself into ...
... force is personal passion . Lorca's tragedy , then , resides in the domain of passion : passion destroys itself and its possessors , the personal can ultimately only come in conflict with the social , the social enlarges itself into ...
Sivu 319
... force of peculiar horror . Society is presented as an openly coercive force , but that is not its chief character- istic . We see it in action upon Manders and through him upon Mrs Alving . The coercion is strong , certainly not ...
... force of peculiar horror . Society is presented as an openly coercive force , but that is not its chief character- istic . We see it in action upon Manders and through him upon Mrs Alving . The coercion is strong , certainly not ...
Yleiset termit ja lausekkeet
Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba