Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 83
Sivu 185
... individuals with gen- eral names . On the other hand , Everyman does not begin as an individual . God's opening speech employs " every- man " as a collective pronoun ( lines 40-41 , 60-62 ) : Euery man lyueth so after his owne pleasure ...
... individuals with gen- eral names . On the other hand , Everyman does not begin as an individual . God's opening speech employs " every- man " as a collective pronoun ( lines 40-41 , 60-62 ) : Euery man lyueth so after his owne pleasure ...
Sivu 186
... individual on one " level " and all mankind on another , for the drama of his appearance depends on the mutual con- vertibility of category and individual . The medium of ex- change for that conversion is , of course , language . It ap ...
... individual on one " level " and all mankind on another , for the drama of his appearance depends on the mutual con- vertibility of category and individual . The medium of ex- change for that conversion is , of course , language . It ap ...
Sivu 367
... individual will . Thus the act of Atunda , the Yoruba slave who fragmented the unified essence and pro- duced many individual essences or gods , is celebrated in ' Idanre ' as are other individual deities or inspired men ( prophets ) ...
... individual will . Thus the act of Atunda , the Yoruba slave who fragmented the unified essence and pro- duced many individual essences or gods , is celebrated in ' Idanre ' as are other individual deities or inspired men ( prophets ) ...
Yleiset termit ja lausekkeet
Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba