Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 87
Sivu 38
... language " noth- ing " becomes something to which we give a name , and about which we may invent a whole series of predicates which signify , no doubt , nothing , but which may be the rightful language of absurdity . In any case , when ...
... language " noth- ing " becomes something to which we give a name , and about which we may invent a whole series of predicates which signify , no doubt , nothing , but which may be the rightful language of absurdity . In any case , when ...
Sivu 387
... language in his plays and envisions a drama that will contain both joy and reality . ] In writing The Playboy of the Western World , as in my other plays , I have used one or two words only that I have not heard among the country people ...
... language in his plays and envisions a drama that will contain both joy and reality . ] In writing The Playboy of the Western World , as in my other plays , I have used one or two words only that I have not heard among the country people ...
Sivu 412
... language in Playboy of the Western World is in fact the play's orga- nizing principle . It is poetic in the strict and commonsense meaning of that word and its poetry works in this play , as all great art works , obliquely . Art is , by ...
... language in Playboy of the Western World is in fact the play's orga- nizing principle . It is poetic in the strict and commonsense meaning of that word and its poetry works in this play , as all great art works , obliquely . Art is , by ...
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Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba