Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Tulokset 1 - 3 kokonaismäärästä 87
Sivu 49
... moral wisdom ? . . . Or may we say that the god's growing awareness of his own identity has given him a deeper understanding of the genre over which he presides ? Careful examination of Dionysus ' remarks made during the contest ( 895 ...
... moral wisdom ? . . . Or may we say that the god's growing awareness of his own identity has given him a deeper understanding of the genre over which he presides ? Careful examination of Dionysus ' remarks made during the contest ( 895 ...
Sivu 160
... moral play or the morality play , as it has become popularly known , seems to have emerged at about the end of the fourteenth century . It is known that a great many morality plays were written , their numbers probably running into ...
... moral play or the morality play , as it has become popularly known , seems to have emerged at about the end of the fourteenth century . It is known that a great many morality plays were written , their numbers probably running into ...
Sivu 426
... moral principles accepted by Antonelli and Gas- paro ; duty to society ( consisting , in the case of great men , in performing their duties towards their inferiors and their dependants ) , duty to one's family ( in preserving one's es ...
... moral principles accepted by Antonelli and Gas- paro ; duty to society ( consisting , in the case of great men , in performing their duties towards their inferiors and their dependants ) , duty to one's family ( in preserving one's es ...
Yleiset termit ja lausekkeet
Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba