Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 75
Sivu 344
... past in a perfected form . " Re- curring images of hair , fire , pistols , and vine leaves un- derscore Hedda's attempts to re - enact events from her past , argues the critic , who points to a similar desire on behalf of all of the ...
... past in a perfected form . " Re- curring images of hair , fire , pistols , and vine leaves un- derscore Hedda's attempts to re - enact events from her past , argues the critic , who points to a similar desire on behalf of all of the ...
Sivu 345
... past . This pattern , as will be shown below , is the dominant pattern of Hedda's actions . Thus the major action of the play - the action the plot imitates ; that which , as Francis Fergusson states , " is to be used to indicate the ...
... past . This pattern , as will be shown below , is the dominant pattern of Hedda's actions . Thus the major action of the play - the action the plot imitates ; that which , as Francis Fergusson states , " is to be used to indicate the ...
Sivu 346
... past habit from Aunt Julle's house- hold to Tesman's . She is an incarnation , in the Tesman's household , of the imposition of the past upon the present in the same manner that the portrait of General Gabler represents Hedda's own past ...
... past habit from Aunt Julle's house- hold to Tesman's . She is an incarnation , in the Tesman's household , of the imposition of the past upon the present in the same manner that the portrait of General Gabler represents Hedda's own past ...
Yleiset termit ja lausekkeet
Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba