Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 83
Sivu 160
... plays have been lost , the manuscripts having been destroyed by sincere but misguided religious reformers who found the plays obscene and blasphemous . The genre of the moral play or the morality play , as it has become popularly known ...
... plays have been lost , the manuscripts having been destroyed by sincere but misguided religious reformers who found the plays obscene and blasphemous . The genre of the moral play or the morality play , as it has become popularly known ...
Sivu 190
... play whose striking bareness becomes an even more remarkable manipulation of performance in light of the earlier play . I hope to demonstrate that , in each of these plays , the stage constitutes not simply an added effect , but a ...
... play whose striking bareness becomes an even more remarkable manipulation of performance in light of the earlier play . I hope to demonstrate that , in each of these plays , the stage constitutes not simply an added effect , but a ...
Sivu 308
... play " about a specific so- cial question , and a traditional tragedy . Although Ibsen constructed Ghosts as a straightforward thesis play , the critic suggests , Mrs. Alving's seeking , striving spirit is characteristic of a tragic ...
... play " about a specific so- cial question , and a traditional tragedy . Although Ibsen constructed Ghosts as a straightforward thesis play , the critic suggests , Mrs. Alving's seeking , striving spirit is characteristic of a tragic ...
Yleiset termit ja lausekkeet
Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba