Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 85
Sivu 16
... political to the intellectual centre of Greece was under way . Aristophanes ' work reflects , towards the end of his career , the early stages of this transformation . His last two surviv- ing plays are concerned , not ( like The ...
... political to the intellectual centre of Greece was under way . Aristophanes ' work reflects , towards the end of his career , the early stages of this transformation . His last two surviv- ing plays are concerned , not ( like The ...
Sivu 49
... political content of tragedy ) . Dionysus thus suddenly be- comes the principal exponent of this theme . The resulting change in the god's purpose is not in itself inexplicable , but no attempt to explain it is made by Aristophanes ...
... political content of tragedy ) . Dionysus thus suddenly be- comes the principal exponent of this theme . The resulting change in the god's purpose is not in itself inexplicable , but no attempt to explain it is made by Aristophanes ...
Sivu 358
... political reasons a year later . In 1963 he turned to the revue format with The Republican , which gave him an outlet for pointed political satire . The work , comprising a series of sketches , introduced his new company , the Ori- sun ...
... political reasons a year later . In 1963 he turned to the revue format with The Republican , which gave him an outlet for pointed political satire . The work , comprising a series of sketches , introduced his new company , the Ori- sun ...
Yleiset termit ja lausekkeet
Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba