Drama Criticism: Criticism of the Most Significant and Widely Studied Dramatic Works from All the World's Literatures, Nide 2Gale Research Incorporated, 1992 - 504 sivua Each print volume in this long-standing series profiles approximately 4-8 dramatists by providing full-text or excerpted criticism taken from books, magazines, literary reviews, newspapers and scholarly journals. Among those profiled in this volume are:
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Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 86
Sivu 19
... scene it had to remain until the end of the play , and then leave . Some flexibility was allowed : in The Women's Assembly the Chorus of women goes off to the Assembly and returns one scene later , and in Lysistrata , after the final ...
... scene it had to remain until the end of the play , and then leave . Some flexibility was allowed : in The Women's Assembly the Chorus of women goes off to the Assembly and returns one scene later , and in Lysistrata , after the final ...
Sivu 221
... scene lies at first in the fact that its optimism , caught in the imagery and the gently insistent rhythms , is bounded on either side by the conflict of the Bride and Leonardo within themselves and in relation to each other . It is ...
... scene lies at first in the fact that its optimism , caught in the imagery and the gently insistent rhythms , is bounded on either side by the conflict of the Bride and Leonardo within themselves and in relation to each other . It is ...
Sivu 270
... scene between her and him . He goes . Stenborg en- ters ; has met him on the stairs ; displeased ; wants to know ... Scene between him and Stenborg . Nora soon re - enters ; she has turned back ; anxiety has driven her home again . Scene ...
... scene between her and him . He goes . Stenborg en- ters ; has met him on the stairs ; displeased ; wants to know ... Scene between him and Stenborg . Nora soon re - enters ; she has turned back ; anxiety has driven her home again . Scene ...
Yleiset termit ja lausekkeet
Acharnians action actors Alving Angelica Aristophanes Aristophanes's artistic Athenian Athens audience become Bernarda Alba Birds Blood Wedding Brack Caligula Camus Camus's characters chorus Cleon comedy comic Congreve Congreve's critics death Deeds dialogue Dionysus Doll's House drama dramatist dream Elckerlijc Elesin essay date Euripides Everyman father feel final Ghosts Gregers Hansberry Hedda Gabler Henrik Ibsen hero Hjalmar human husband Ibsen ideas Irish King's Horseman language literary literature live Lorca Lövborg Love for Love Lysistrata marriage married means Millamant Mirabell modern morality play mother nature never Nora Nora's parabasis passion play's Playboy playwright plot poet poetic poetry political production Raisin reality satire says scene seems sense sion social society Socrates Soyinka speech spirit stage symbolic Synge Synge's Tesman theatre theme things tion traditional tragedy tragic truth University Valentine Webster wife Wild Duck Wole Soyinka woman women words writing Yerma Yoruba