An Essay on the Writings and Genius of Pope, Nide 1M. Cooper, 1756 |
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Tulokset 1 - 5 kokonaismäärästä 6
Sivu 250
... This question alarms the reader ; and puts one in mind of that lively and affecting image in the prophecy of Ifaiah , fo vigorously conceived , in 250 ESSAY ON THE WRITINGS afford it, I believe your defign will be vain ...
... This question alarms the reader ; and puts one in mind of that lively and affecting image in the prophecy of Ifaiah , fo vigorously conceived , in 250 ESSAY ON THE WRITINGS afford it, I believe your defign will be vain ...
Sivu 254
... affecting ftories , ancient or modern , we fhall find that they are fuch , as however adorned and a little diverfified , are yet grounded on true history , and on real matters of fact . Such , for in- ftance , among the ancients , are ...
... affecting ftories , ancient or modern , we fhall find that they are fuch , as however adorned and a little diverfified , are yet grounded on true history , and on real matters of fact . Such , for in- ftance , among the ancients , are ...
Sivu 273
... affecting an audience . In a word , his plays are mufical and pleafing poems , but inactive and unmoving trage- dies . This of Jane Shore is , I think , the most interesting and affecting of any he has given us : but probability is ...
... affecting an audience . In a word , his plays are mufical and pleafing poems , but inactive and unmoving trage- dies . This of Jane Shore is , I think , the most interesting and affecting of any he has given us : but probability is ...
Sivu 276
... affecting : where the madness of Alicia is well painted . But of all repre- fentations of madnefs , that of Clementina , in the History of Sir Charles Grandifon , is the most deeply interesting . I know not whether even the madnefs of ...
... affecting : where the madness of Alicia is well painted . But of all repre- fentations of madnefs , that of Clementina , in the History of Sir Charles Grandifon , is the most deeply interesting . I know not whether even the madnefs of ...
Sivu 280
... - merous , than the affecting ftrokes of nature ; that it would have more resembled the HEN- Page 24 . RIADE , than the ILIAD , or even the GIERU- RIADE , 280 ESSAY ON THE WRITINGS Reafon of church government, * "I am me- ...
... - merous , than the affecting ftrokes of nature ; that it would have more resembled the HEN- Page 24 . RIADE , than the ILIAD , or even the GIERU- RIADE , 280 ESSAY ON THE WRITINGS Reafon of church government, * "I am me- ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Abelard Addiſon alfo almoſt alſo ancient beautiful becauſe beſt Boileau cauſe character circumſtances cloſe compofition Corneille criticiſm defcribed defign deſcription Domenichino Dryden Eclogue Effay elegant Eloifa Engliſh EPISTLE eſpecially Euripides excellent expreffed expreffion exquifite faid fame fatire fays feem fentiments fhall firft firſt fome fpecies ftory ftrokes fubject fublime fuch fufficient genius greateſt himſelf hiſtory Iliad images imagination inferted inftance itſelf Jane Shore juſt laft laſt Milton moft moſt mufic muſt nature numbers obfervations occafion Ovid paffage paffion pathetic perfon Petrarch pieces Pindar pleaſed pleaſure poefy poem poet poetical poetry POPE praiſes preſent profe publiſhed quæ Quintilian Racine raiſed reaſon remarkable repreſent reſemblance reſpect ſay ſcene ſeems ſeveral ſhall ſhe ſhould ſome Sophocles ſpeak ſpirit ſtage ſtanza ſtate ſtory ſtriking ſuch taſte thefe themſelves Theocritus theſe thofe thoſe tion tragedy tranflation uſed verfe verſes Virgil Voltaire whofe whoſe writing
Suositut otteet
Sivu 175 - But see! each Muse, in Leo's golden days, Starts from her trance, and trims her wither'd bays! Rome's ancient Genius, o'er its ruins spread, Shakes off the dust, and rears his rev'rend head. Then Sculpture and her sister-arts revive; Stones leap'd to form, and rocks began to live; With sweeter notes each rising Temple rung; A Raphael painted, and a Vida sung.
Sivu 144 - Where a new world leaps out at his command, And ready nature waits upon his hand ; When the ripe colours soften and unite, And sweetly melt into just shade and light ; When mellowing years their full perfection give( And each bold figure just begins to live, The treacherous colours the fair art betray, And all the bright creation fades away...
Sivu 81 - And, when I die, be sure you let me know Great Homer died three thousand years ago. Why did I write? what sin to me unknown Dipp'd me in ink, my parents', or my own?
Sivu 152 - Durfey's Tales. With him most authors steal their works, or buy ; Garth did not write his own Dispensary. Name a new play, and he's the poet's friend ; Nay, show'd his faults — but when would poets mend? No place so sacred from such fops is barr'd, Nor is Paul's church more safe than Paul's churchyard: Nay, fly to altars ; there they'll talk you dead ; For fools rush in where angels fear to tread.
Sivu 131 - Tis not a lip, or eye, we beauty call, But the joint force and full result of all. Thus when we view some well-proportion'd dome, (The world's just wonder, and ev'n thine, O Rome!) No single parts unequally surprise, All comes united to th' admiring eyes; No monstrous height, or breadth or length appear; The whole at once is bold and regular.
Sivu 319 - May one kind grave unite each hapless name, And graft my love immortal on thy fame. Then, ages hence, when all my woes are o'er...
Sivu 299 - How oft, when press'd to marriage, have I said, Curse on all laws but those which love has made! Love, free as air, at sight of human ties, Spreads his light wings, and in a moment flies...
Sivu 41 - Less than a God they thought there could not dwell Within the hollow of that shell, That spoke so sweetly and so well.
Sivu 126 - Some figures monstrous and mis-shap'd appear, Consider'd singly, or beheld too near, Which, but proportion'd to their light, or place, Due distance reconciles to form and grace. A prudent chief not always must display 175 His pow'rs, in equal ranks, and fair array, But with th' occasion and the place comply, Conceal his force, nay seem sometimes to fly.
Sivu 295 - Repentant sighs, and voluntary pains: Ye rugged rocks! which holy knees have worn; Ye grots and caverns shagg'd with horrid thorn! .-• Shrines! where their vigils pale-ey'd virgins keep, And pitying saints, whose statues learn to weep! Tho' cold like you, unmov'd and silent grown, I have not yet forgot myself to stone.