Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
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Tulokset 1 - 3 kokonaismäärästä 14
Sivu 47
... cubist works , but the first verbal formulator of cubist theory . Since he explained and justified much of cubist principle to cubist painters themselves as well as to the public , he would have been called the father and leader of the ...
... cubist works , but the first verbal formulator of cubist theory . Since he explained and justified much of cubist principle to cubist painters themselves as well as to the public , he would have been called the father and leader of the ...
Sivu 49
... Cubist painter , the Cubist poet brings us the revelation of another world , seen through the intuitive power of the mind and lying beyond the reach of the " normal " man . In Apollinaire's background , there lies reason for his not ...
... Cubist painter , the Cubist poet brings us the revelation of another world , seen through the intuitive power of the mind and lying beyond the reach of the " normal " man . In Apollinaire's background , there lies reason for his not ...
Sivu 52
... cubism ; his own poetry and " l'Esprit nouveau " in literature continually gained vigor from the cubist precedent . It continually represented a basis from which his own creative theory and technique could extend with confidence and ...
... cubism ; his own poetry and " l'Esprit nouveau " in literature continually gained vigor from the cubist precedent . It continually represented a basis from which his own creative theory and technique could extend with confidence and ...
Sisältö
PATTERN POETRY OF GREECE MEDIEVAL | 11 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
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Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance aspects attempts became becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete composed course Crane critics Crucifixion cubist cultural Cummings dark dead death desired developed Directions earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical movement nature object original pattern poems pattern poetry perhaps Persian picture poet poet's poetic possible practice pray present printed Puttenham reality reason religious revival rhetorical seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical verse Vision Vision and Prayer visual whole Wings womb wren writing written York