Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 18
Sivu 45
... elements of diverse arts appealing to diverse bodily senses could be incorporated within a poem . Though the guiding principles of music and painting , for instance , appealed to different senses , it was believed by many that poetry ...
... elements of diverse arts appealing to diverse bodily senses could be incorporated within a poem . Though the guiding principles of music and painting , for instance , appealed to different senses , it was believed by many that poetry ...
Sivu 48
... elements and creatively builds of them a microcosm of his own structure rather than according to nature . An example ... elements with sensations conventionally associated with diverse bodily senses . By this synesthetic mingling of the ...
... elements and creatively builds of them a microcosm of his own structure rather than according to nature . An example ... elements with sensations conventionally associated with diverse bodily senses . By this synesthetic mingling of the ...
Sivu 49
... elements . His senses , however , absorb them all so that they become a wholeness of sensuous experi- ence . He has taken , therefore , some fundamental aspects of reality -- carpets , wind , mouth , and sensations of four senses ; he ...
... elements . His senses , however , absorb them all so that they become a wholeness of sensuous experi- ence . He has taken , therefore , some fundamental aspects of reality -- carpets , wind , mouth , and sensations of four senses ; he ...
Sisältö
PATTERN POETRY OF GREECE MEDIEVAL | 11 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
5 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance aspects attempts became becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete composed course Crane critics Crucifixion cubist cultural Cummings dark dead death desired developed Directions earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical movement nature object original pattern poems pattern poetry perhaps Persian picture poet poet's poetic possible practice pray present printed Puttenham reality reason religious revival rhetorical seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical verse Vision Vision and Prayer visual whole Wings womb wren writing written York