Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 12
Sivu 48
... experience of it ; how , after creating it , he feels its effect upon his senses . In As a whole individual sensing the experience , he 48.
... experience of it ; how , after creating it , he feels its effect upon his senses . In As a whole individual sensing the experience , he 48.
Sivu 66
... experiences it almost entirely through an auditory medium -- the sound of the rain is the voices of women nearly ... experience is portrayed pictorially -- an example of the synesthesia found in other of Apollinaire's works . Here ...
... experiences it almost entirely through an auditory medium -- the sound of the rain is the voices of women nearly ... experience is portrayed pictorially -- an example of the synesthesia found in other of Apollinaire's works . Here ...
Sivu 71
... experience which Cummings • wants to over- come . So he splits the word " wheeling " in half , and between the halves he puts the description of the sprinkling , and by so doing he catches the effect of " at - onceness " which he is ...
... experience which Cummings • wants to over- come . So he splits the word " wheeling " in half , and between the halves he puts the description of the sprinkling , and by so doing he catches the effect of " at - onceness " which he is ...
Sisältö
PATTERN POETRY OF GREECE MEDIEVAL | 11 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
5 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance aspects attempts became becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete composed course Crane critics Crucifixion cubist cultural Cummings dark dead death desired developed Directions earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical movement nature object original pattern poems pattern poetry perhaps Persian picture poet poet's poetic possible practice pray present printed Puttenham reality reason religious revival rhetorical seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical verse Vision Vision and Prayer visual whole Wings womb wren writing written York