Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 15
Sivu 19
... feeling in the lines and the external shape of the poems . In contrast , the technopaegnia contained no emotive force , and the carmina had only an over - all basic one -- religious fervor . If there was any variation in the quality and ...
... feeling in the lines and the external shape of the poems . In contrast , the technopaegnia contained no emotive force , and the carmina had only an over - all basic one -- religious fervor . If there was any variation in the quality and ...
Sivu 25
... feeling with the " new " poetic style . Of course , from afar , emblem and metaphysical poetry can be viewed merely ... feelings . By using concrete and visual pictures , they hoped to bring their religious experiences more exactly to ...
... feeling with the " new " poetic style . Of course , from afar , emblem and metaphysical poetry can be viewed merely ... feelings . By using concrete and visual pictures , they hoped to bring their religious experiences more exactly to ...
Sivu 110
... feeling in the lines and the external shape of the stanza . The first stanza of the " Vision " section expands to the accompaniment of " the womb Opening " and then contracts to echo the words " Bows " and " dark alone . " The second ...
... feeling in the lines and the external shape of the stanza . The first stanza of the " Vision " section expands to the accompaniment of " the womb Opening " and then contracts to echo the words " Bows " and " dark alone . " The second ...
Sisältö
PATTERN POETRY OF GREECE MEDIEVAL | 11 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
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acrostics altar Anthology Apollinaire appearance aspects attempts became becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete composed course Crane critics Crucifixion cubist cultural Cummings dark dead death desired developed Directions earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical movement nature object original pattern poems pattern poetry perhaps Persian picture poet poet's poetic possible practice pray present printed Puttenham reality reason religious revival rhetorical seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical verse Vision Vision and Prayer visual whole Wings womb wren writing written York