Pattern Poetry: A Historical Critique from the Alexandrian Greeks to Dylan ThomasMarlborough House, 1976 - 152 sivua |
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Tulokset 1 - 3 kokonaismäärästä 23
Sivu 29
... visual sign of the meaning of the two words in the line ( " Most poor " in the first stanza ; " Most thin " in the second ) . The shortest line is an end result of both the thematic and visual trends going on above it . The mood of ...
... visual sign of the meaning of the two words in the line ( " Most poor " in the first stanza ; " Most thin " in the second ) . The shortest line is an end result of both the thematic and visual trends going on above it . The mood of ...
Sivu 42
... visual and auditory effects were primarily to be sought . One was not the result of the other but rather an independent property of the poem . Independent visual effects were brought about by the abandonment of conventional stanzas and ...
... visual and auditory effects were primarily to be sought . One was not the result of the other but rather an independent property of the poem . Independent visual effects were brought about by the abandonment of conventional stanzas and ...
Sivu 69
... visual properties of his poetry , although he wrote no calligrammes outright : to Pound , as to Mallarmé , the visual appearance of his poems is of importance -- the space across which the poetic spark has to fly is an actual space on a ...
... visual properties of his poetry , although he wrote no calligrammes outright : to Pound , as to Mallarmé , the visual appearance of his poems is of importance -- the space across which the poetic spark has to fly is an actual space on a ...
Sisältö
PATTERN POETRY OF GREECE MEDIEVAL | 11 |
ENGLISH PATTERN POETRY IN THE SEVENTEENTH | 23 |
PATTERN POETRY IN THE EIGHTEENTH | 33 |
5 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
acrostics altar Anthology Apollinaire appearance aspects attempts became becomes birth bone born called Calligrammes carmina cast century CHAPTER Child Christ complete composed course Crane critics Crucifixion cubist cultural Cummings dark dead death desired developed Directions earth effects elements emblem emotive England English example experience expression external falling feeling figure final George George Puttenham Greek hands Herbert imagery influence interest Italy known letters light lines literary literature London lost lyric meaning medieval metaphysical movement nature object original pattern poems pattern poetry perhaps Persian picture poet poet's poetic possible practice pray present printed Puttenham reality reason religious revival rhetorical seen sense shape spirit stanza studied style technopaegnia theme third Thomas thought tradition truth turn typographical verse Vision Vision and Prayer visual whole Wings womb wren writing written York