Pilgrimage for Love: Essays in Early Modern Literature in Honor of Josephine A. RobertsArizona Center for Medieval and Renaissance Studies, 1999 - 276 sivua This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 22
Sivu 163
... sequence is to create both an object of love — usually female — and a poetic self - usually male . My topic in this paper is the way a woman writer undertakes the crea- tion of her " poetic self , " as compared to male writers working ...
... sequence is to create both an object of love — usually female — and a poetic self - usually male . My topic in this paper is the way a woman writer undertakes the crea- tion of her " poetic self , " as compared to male writers working ...
Sivu 165
... sequence the poet - persona Pamphilia displays far less agency . Her withdrawal into privacy - and silence - in the course of the sequence frequently connotes not self - sovereignty but rather a sense of entrapment . The metaphor which ...
... sequence the poet - persona Pamphilia displays far less agency . Her withdrawal into privacy - and silence - in the course of the sequence frequently connotes not self - sovereignty but rather a sense of entrapment . The metaphor which ...
Sivu 169
... sequence that Wroth's poet- persona has control over her beloved , his image , or herself . The sequence ends with her assertion that she now houses within her heart the " true image , " but it seems to be the image of Love itself ...
... sequence that Wroth's poet- persona has control over her beloved , his image , or herself . The sequence ends with her assertion that she now houses within her heart the " true image , " but it seems to be the image of Love itself ...
Sisältö
Restoration Women Writers | 19 |
The Countess of Pembroke as a Spenserian Poet | 41 |
Womens Reading Practices | 63 |
Tekijänoikeudet | |
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Pilgrimage for Love: Essays in Early Modern Literature in Honor of Josephine ... Sigrid King,Josephine A. Roberts Esikatselu ei käytettävissä - 2015 |
Pilgrimage for Love: Essays in Early Modern Literature in Honor of Josephine ... Sigrid King,Josephine A. Roberts Esikatselu ei käytettävissä - 2018 |
Yleiset termit ja lausekkeet
acrostic Amphilanthus Anne appears argues Astell Astrophil autobiography bibliographical birth Cambridge Cavendish century Charke's Charlotte Charke Chudleigh compositor context copy Countess of Pembroke court critical culture duality Early Modern England edition Elizabethan essay Faerie Queene Fage's father female feminine fiction Gary Waller gender Henry Hoby's diary household husband Josephine Roberts king Lady Mary Wroth Limena literary lives London Lord Loveman male manuscript Margaret Cavendish Margaret Hoby marriage Mary Astell Mary Fage Mary Sidney masculine Moore mother Narrative narrator Nereana notes Pamphilia patriarchal Pembroke's Perkins play poems poet poetry political Press printed Psalm Puritan Queen relationship rhetorical Rhodes read Robert Fage role romance sexual Shakespeare Sidney's Sir Thomas social Spenser Spenserian spiritual Stella stories Studies suggests texts textual textual criticism Thomas Hoby tion traditional transvestite Urania verse W. W. Greg wife woman women readers women writers words writing York