Shakespeare and the Cultures of PerformancePaul Yachnin, Patricia Badir Routledge, 15.5.2017 - 224 sivua Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experience, yet they are also careful to consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. Thus contributors combine a formalist interest in the affective and aesthetic dimensions of language and spectacle with an investment in the material cultures that both produced and received Shakespeare's plays. Six of the chapters focus on early modern cultures of performance, looking specifically at such topics as the performance of rusticity; the culture of credit; contract and performance; the cultivation of Englishness; religious ritual; and mourning and memory. Building upon and interrelating with the preceding essays, the last three chapters deal with Shakespeare and performance culture in modernity. They focus on themes including literary and theatrical performance anxiety; cultural iconicity; and the performance of Shakespearean lateness. This collection strives to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms. |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 45
Sivu
... less than the tenth part of one”: Performance Anxiety and/in Troilus and Cressida Gretchen E. Minton Forbidden Mixtures: Shakespeare in Blackface Minstrelsy, 1844 Coppélia Kahn 9 The Tempest and the Uses of Late Shakespeare in.
... less than the tenth part of one”: Performance Anxiety and/in Troilus and Cressida Gretchen E. Minton Forbidden Mixtures: Shakespeare in Blackface Minstrelsy, 1844 Coppélia Kahn 9 The Tempest and the Uses of Late Shakespeare in.
Sivu
Paul Yachnin, Patricia Badir. 9 The Tempest and the Uses of Late Shakespeare in the Cultures of Performance: Prospero, Gielgud, Rylance Gordon McMullan Afterword: “Performance,” “Culture,” History Edward Pechter Bibliography 189 Index ...
Paul Yachnin, Patricia Badir. 9 The Tempest and the Uses of Late Shakespeare in the Cultures of Performance: Prospero, Gielgud, Rylance Gordon McMullan Afterword: “Performance,” “Culture,” History Edward Pechter Bibliography 189 Index ...
Sivu
... Tempest). Ed Pechter provides a substantial afterword that considers the essays in the book in relation to a critique of the volume's key terms, “performance” and “culture” (and Pechter adds a third—“history”). Bevington's work on the ...
... Tempest). Ed Pechter provides a substantial afterword that considers the essays in the book in relation to a critique of the volume's key terms, “performance” and “culture” (and Pechter adds a third—“history”). Bevington's work on the ...
Sivu
... Tempest, is often over-determined by “lateness,” especially when directors and actors use Shakespeare's life trajectory, embodied by the sagacious Prospero, as a map for their own theatrical careers. McMullan examines the self ...
... Tempest, is often over-determined by “lateness,” especially when directors and actors use Shakespeare's life trajectory, embodied by the sagacious Prospero, as a map for their own theatrical careers. McMullan examines the self ...
Sivu
... Tempest's voyage from Italy to the island and eventually back to Italy; whereas in both his personal life and in his work considered in its overarching design, he begins by evoking the rural and eventually returns to the rural in his ...
... Tempest's voyage from Italy to the island and eventually back to Italy; whereas in both his personal life and in his work considered in its overarching design, he begins by evoking the rural and eventually returns to the rural in his ...
Sisältö
On the Economic Rhetoric of Revenge in | |
Performing Exchanges in The Merchant | |
Armado and the Politics | |
The Pauline Rebuke | |
Shakespeare and Secular Performance | |
Performance | |
Shakespeare in Blackface Minstrelsy 1844 | |
The Tempest and the Uses of Late Shakespeare in the Cultures | |
Performance Culture History | |
Bibliography 189 | |
Index 203 | |
Muita painoksia - Näytä kaikki
Shakespeare and the Cultures of Performance Paul Edward Yachnin,Patricia Badir Rajoitettu esikatselu - 2008 |
Shakespeare and the Cultures of Performance Paul Yachnin,Patricia Badir Esikatselu ei käytettävissä - 2016 |
Yleiset termit ja lausekkeet
acting actor Antonio argues Armado artist audience Bassanio blackface blackface minstrelsy burlesque Calvin Cambridge University Press characters Chicago Christian claim Comedy commentary context Costard critics cultures of performance Dawson debate Desdemona discourse drama Early Modern England Elizabethan enfranchised English essay exchange film Folger Shakespeare Library Gielgud Globe Greenaway Greenblatt Hamlet Hermione Ibid idea Jim Crow John John Gielgud Jump Jim Crow language Leontes literary London Love’s Labour’s Lost Luther Mark Rylance Merchant of Venice metaphor Michael Mulcaster’s one’s Othello Oxford Pandarus Paul Yachnin Paul’s Paulina’s Pauline Pérez performance anxiety Peter Greenaway play’s playwright political Portia production Prospero Prospero’s Books Protestant race racial reading rebuke reformers religious revenge Rice’s Richard role Routledge Rylance Rylance’s scene secular sense sexual Shakespeare Quarterly Shylock social sonnets stage statue stranger Studies Tempest theatre theatrical tradition Troilus and Cressida William Winter’s Tale words writing York