Shakespeare and the Cultures of PerformancePaul Yachnin, Patricia Badir Routledge, 15.5.2017 - 224 sivua Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experience, yet they are also careful to consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. Thus contributors combine a formalist interest in the affective and aesthetic dimensions of language and spectacle with an investment in the material cultures that both produced and received Shakespeare's plays. Six of the chapters focus on early modern cultures of performance, looking specifically at such topics as the performance of rusticity; the culture of credit; contract and performance; the cultivation of Englishness; religious ritual; and mourning and memory. Building upon and interrelating with the preceding essays, the last three chapters deal with Shakespeare and performance culture in modernity. They focus on themes including literary and theatrical performance anxiety; cultural iconicity; and the performance of Shakespearean lateness. This collection strives to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms. |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 69
Sivu
... and the Cultures of Performance Edited by PAUL YACHNIN and PATRICLA BADIR Studies in Performance and Early Modern Drama SHAKESPEARE AND THE CULTURESOF PERFORMANCE Theatrical performance, suggest the contributors. Front Cover.
... and the Cultures of Performance Edited by PAUL YACHNIN and PATRICLA BADIR Studies in Performance and Early Modern Drama SHAKESPEARE AND THE CULTURESOF PERFORMANCE Theatrical performance, suggest the contributors. Front Cover.
Sivu
... theatrical performance anxiety; cultural iconicity; and the performance of Shakespearean lateness. This collection strives to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical ...
... theatrical performance anxiety; cultural iconicity; and the performance of Shakespearean lateness. This collection strives to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical ...
Sivu
... theatrical ephemerality, live on through records, manuscripts, and printed books. The monographs and essay collections in this series offer original research which addresses theatre histories and performance histories in the context of ...
... theatrical ephemerality, live on through records, manuscripts, and printed books. The monographs and essay collections in this series offer original research which addresses theatre histories and performance histories in the context of ...
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... Theatrical Performance of Rusticity David Bevington 2 Payback Time: On the Economic Rhetoric of Revenge in The Merchant of Venice Linda Woodbridge 3 “To give and to receive”: Performing Exchanges in The Merchant of Venice Sean Lawrence ...
... Theatrical Performance of Rusticity David Bevington 2 Payback Time: On the Economic Rhetoric of Revenge in The Merchant of Venice Linda Woodbridge 3 “To give and to receive”: Performing Exchanges in The Merchant of Venice Sean Lawrence ...
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... theatrical performance, which cannot be held in the grasp of any discursive account. Even his detailed recollection, he says, cannot begin to describe it: “That I have failed to do it justice in writing about it is both absolutely true ...
... theatrical performance, which cannot be held in the grasp of any discursive account. Even his detailed recollection, he says, cannot begin to describe it: “That I have failed to do it justice in writing about it is both absolutely true ...
Sisältö
On the Economic Rhetoric of Revenge in | |
Performing Exchanges in The Merchant | |
Armado and the Politics | |
The Pauline Rebuke | |
Shakespeare and Secular Performance | |
Performance | |
Shakespeare in Blackface Minstrelsy 1844 | |
The Tempest and the Uses of Late Shakespeare in the Cultures | |
Performance Culture History | |
Bibliography 189 | |
Index 203 | |
Muita painoksia - Näytä kaikki
Shakespeare and the Cultures of Performance Paul Edward Yachnin,Patricia Badir Rajoitettu esikatselu - 2008 |
Shakespeare and the Cultures of Performance Paul Yachnin,Patricia Badir Esikatselu ei käytettävissä - 2016 |
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acting actor Antonio argues Armado artist audience Bassanio blackface blackface minstrelsy burlesque Calvin Cambridge University Press characters Chicago Christian claim Comedy commentary context Costard critics cultures of performance Dawson debate Desdemona discourse drama Early Modern England Elizabethan enfranchised English essay exchange film Folger Shakespeare Library Gielgud Globe Greenaway Greenblatt Hamlet Hermione Ibid idea Jim Crow John John Gielgud Jump Jim Crow language Leontes literary London Love’s Labour’s Lost Luther Mark Rylance Merchant of Venice metaphor Michael Mulcaster’s one’s Othello Oxford Pandarus Paul Yachnin Paul’s Paulina’s Pauline Pérez performance anxiety Peter Greenaway play’s playwright political Portia production Prospero Prospero’s Books Protestant race racial reading rebuke reformers religious revenge Rice’s Richard role Routledge Rylance Rylance’s scene secular sense sexual Shakespeare Quarterly Shylock social sonnets stage statue stranger Studies Tempest theatre theatrical tradition Troilus and Cressida William Winter’s Tale words writing York