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admiration appear army attempt authority beauty become believe better body called cause century character Charles Church circumstances civil common compared conduct considered constitution correct critics death doubt effect employed England English equally excellent existed expression fact feelings followed genius give hand honor House human imagination interest Italy King language least less liberty lived look Lord manner means measures merely Milton mind moral nature necessary never object once opinion Parliament party passages passed perhaps persons plays poems poet poetry political present Prince principles produced progress reason religion remarkable rendered resembled respect scarcely seems single society Southey spirit strong style taste tells things thought thousand tion truth turned wealth whole writers
Sivu 30 - I should much commend the tragical part, if the lyrical did not ravish me with a certain Doric delicacy in your songs and odes, whereunto I must plainly confess to have seen yet nothing parallel in our language : Ipsa mollities.
Sivu 31 - And drenches with Elysian dew (List, mortals, if your ears be true) Beds of hyacinth and roses, Where young Adonis oft reposes, Waxing well of his deep wound, In slumber soft, and on the ground Sadly sits the Assyrian queen.
Sivu 137 - Partridge, with a contemptuous sneer; "why, I could act as well as he myself. I am sure if I had seen a ghost I should have looked in the very same manner, and done just as he did.
Sivu 71 - What! have you let the false enchanter scape? O ye mistook; ye should have snatched his wand, And bound him fast. Without his rod reversed, And backward mutters of dissevering power, We cannot free the Lady that sits here In stony fetters fixed and motionless.
Sivu 21 - fine frenzy " which he ascribes to the poet, — a fine frenzy doubtless, but still a frenzy. Truth, indeed, is essential to poetry ; but it is the truth of madness. The reasonings are just ; but the premises are false. After the first suppositions have been made...
Sivu 23 - And, as the magic lantern acts best in a dark room, poetry effects its purpose most completely in a dark age. As the light of knowledge breaks in upon its exhibitions, as the outlines of certainty become more and more definite, and the shades of probability...
Sivu 32 - The poetry of Milton differs from that of Dante as the Hieroglyphics of Egypt differed from the picture-writing of Mexico. The images which Dante employs speak for themselves ; they stand simply for what they are. Those of Milton have a signification which is often discernible only to the initiated. Their value depends less on what they directly represent than on what they remotely suggest.