Sound, Music, Affect: Theorizing Sonic ExperienceMarie Thompson, Ian Biddle Bloomsbury Publishing USA, 14.3.2013 - 288 sivua Sound, Music, Affect features brand new essays that bring together the burgeoning developments in sound studies and affect studies. The first section sets out key methodological and theoretical concerns, focussing on the relationships between affective models and sound. The second section deals with particular musical case studies, exploring how reference to affect theory might change or reshape some of the ways we are able to make sense of musical materials. The third section examines the politics and practice of sonic disruption: from the notion of noise as 'prophecy', to the appropriation of 'bad vibes' for pleasurable aesthetic and affective experiences. And the final section engages with some of the ways in which affect can help us understand the politics of chill, relaxation and intimacy as sonic encounters. The result is a rich and multifaceted consideration of sound, music and the affective, from scholars with backgrounds in cultural theory, history, literary studies, media studies, architecture, philosophy and musicology. |
Sisältö
| 1 | |
Sound as affect and affect as sound | 25 |
On affect and exteriority Will Schrimshaw | 27 |
2 Felt as thought or musical abstraction and the semblance of affect eldritch Priest | 45 |
3 My mothers scream Patricia Ticineto Clough | 65 |
Music and the organization of affect | 73 |
Nina Simone My Sweet Lord and the unfolding of affect Richard Elliott | 75 |
5 I cant get no affect John Mowitt | 91 |
Affective prophecy in industrial music Dean Lockwood | 119 |
Masochism in noise performance Paul Hegarty | 133 |
9 Three screams Marie Thompson | 147 |
PART FOUR Palliative sounds and the marketing of affection | 163 |
10 Music for sleeping Anahid Kassabian | 165 |
The affective distribution of classical music Freya Jarman | 183 |
The politics of tiny seductions Ian Biddle | 205 |
| 223 | |
Sprechstimme hypnosis and the sonic organization of affect Clara Lartham | 101 |
PART THREE Affects of turbulence | 117 |
Muita painoksia - Näytä kaikki
Sound, Music, Affect: Theorizing Sonic Experience Marie Thompson,Ian Biddle Rajoitettu esikatselu - 2013 |
Sound, Music, Affect: Theorizing Sonic Experience Marie Thompson,Ian Biddle Rajoitettu esikatselu - 2013 |
Yleiset termit ja lausekkeet
abstraction acoustic activity aesthetic affect theory affective capacities affirmation Agamben apps argues articulation Attali audible audience autonomy become belonging binaural beats body Cabaret Voltaire Classic FM classical music concept cultural Deleuze Deleuze and Guattari dynamic emotion event example experience expression Facebook feeling felt as thought film FM’s Freud and Breuer function Goodman Hardt hear human hypnosis hysteria hysterical ibid idea imagination industrial music intensity intensive quantities Kassabian kind Langer listening logic maha mantra masochism Masonna Massumi means mood Nina Simone noise music noise performance notion ofthe one’s organism particular pastoral pastorale perception Pierrot Lunaire play playlist political potential practice precisely Primal Therapy processes recording relation resonance response rhythm Schoenberg scream semblance sense Simone Simone’s simply sleep social song sonic sonorous sound sound-itself space Spotify Sprechstimme structure suggest Sweet Lord talking cure thinking trauma vibration vital vocal voice words Zehme Zehme’s