Theory of Fiction: Henry JamesHenry James, James Edwin Miller U of Nebraska Press, 1.1.1972 - 366 sivua Comprised of more than 250 selections from Henry James's stories about writers, his critical and speculative essays, his Notebooks, Prefaces, and letters, this collection brings together for the first time, in a single, systematic volume, all the important passages in James's work which have implications for or ideas about his theory of fiction. The result is the most comprehensive, exhaustive, and innovative volume of fictional theory ever published; in many ways it is the consummation of James's contribution to letters. In a masterful introductory essay, James E. Miller Jr., presents James's theory of fiction in outline; he also contributes brief introductions to each of the seventeen chapters, summarizing the major points. Abundant guides direct the reader to subjects and sources. |
Sisältö
A THEORY OF FICTION IN OUTLINE | 1 |
THE ART OF FICTION | 27 |
THE WRITER AND HIS CULTURE | 45 |
tion 1880 50 an American must deal with Europe 1881 51 | 51 |
the life of his time reflected in his novels 1883 52 a big AngloSaxon | 58 |
impressions never lost 1881 62 to catch and keep something of life | 65 |
the faint vague germ 1901 68 place so the impressions worked | 70 |
THE WRITER AND HIS IMAGINATION | 76 |
the art of figuring synthetically 1908 192 dialogue 19 | 194 |
strong female characters | 202 |
characters 1879 204 evolved from | 205 |
fingering puppets to death 1865 209 characters | 216 |
the victim must | 226 |
the penetrating imagination 1908 232 the platitudes | 233 |
the scenic condition 1908 242 a lapse from artistic integrity | 247 |
FORM AND STRUCTURE | 257 |
the great stew pot or crucible of the imagination 1911 77 imagination | 84 |
expression makes the reality 1902 89 literary deeds vs social deeds | 91 |
to represent life 1883 93 a picture of life vs a moralised fable 1885 | 94 |
detached incident vs impression | 102 |
THE WHOLE HUMAN CONSCIOUSNESS | 115 |
the stragglers on lifes march 1874 123 the commoner stuff of human | 124 |
130 a question of taste 1880 134 half | 130 |
137 | 137 |
life is a sealed book 1880 | 150 |
diffusiveness vs concentration 1873 152 life without art vs art without | 158 |
he hates a story 1886 160 the question of what constitutes a story | 165 |
the process of art 1909 170 the execution | 172 |
the autobiographical form of composition 1865 174 situations speak | 178 |
the scenic method 1896 180 dramatic form vs going behind 1908 | 185 |
form economy 1908 262 fusion of form and substance 1908 264 | 264 |
The Unnatural Style | 270 |
masculine firmness quiet force 1888 277 | 277 |
the push into language for the embrace of thought 1893 279 the insep | 285 |
MORALITY AND PHILOSOPHY MEANING AND THEME | 291 |
the cure of souls 1865 293 lift up the readers heart 1866 294 | 303 |
two perfectly different things 1884 308 Flaubert | 310 |
READERS AND CRITICS | 318 |
crimination 1908 322 attention of perusal 1909 323 reading aloud | 325 |
least doctrinal of critics 1872 326 the motions of criticism | 333 |
BIBLIOGRAPHY | 345 |
353 | |
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
Viitteet tähän teokseen
Script Analysis for Actors, Directors, and Designers James Michael Thomas Rajoitettu esikatselu - 2005 |
Narrative Dynamics: Essays on Time, Plot, Closure, and Frames Brian Richardson Rajoitettu esikatselu - 2002 |