And by command of Heav'n's all-pow'rful king I keep, by him forbidden to unlock Fearless to be o'ermatch'd by living might. 855 But what owe I to his commands above Who hates me, and hath hither thruft me down To fit in hateful office here confin'd, With terrors and with clamors compass'd round 860 My 855. Fearless to be o'ermatch'd by living might.] In fome edi tions it is living wight, that is creature, and we have living wight before ver. 613 and this is likewise Dr. Bentley's reading, for living might, fays he, would not except even God himself, the ever-living and the almighty. But God himfelf muft neceffarily be excepted here; for it was by his command that Sin and Death fat to guard the gates, and therefore living might cannot poffibly be understood of God, but of any one else who fhould endevor to force a paffage. T3 868. The My being gav❜st me; whom should I obey 865 870 But thee, whom follow? thou wilt bring me foon Of ly as highly gratified by the minute detail of particulars our author has given us. It may with juftice be farther obferved, that in no part of the poem, the verfification is better accommodated to the fenfe. The drawing up of the portcullis, the turning of the key, the fudden fhooting of the bolts, and the flying open of the doors are in fome fort defcribed by the very break and found of the verses. Thyer. 873. And towards the gate rolling her beftial train,] A modern riming poet would perhaps have faid, And rolling tow'rds the gate her beftial train, and Of maffy ir'on or folid rock with ease Unfaftens: on a fudden open fly With impetuous recoil and jarring found 880 885 Th' infernal doors, and on their hinges grate or Æn. VI. 573 890 The of Macbeth remarks that this expreffion is copied from the Hiftory of Don Bellianis, where, when one of the knights approaches the caftle of Brandezar, the gates are faid to open grating harsh thunder upon their brazen hinges. And it is not improbable that Milton might take it from thence, as he was a reader of all kinds of romances. 882. the lowest bottom shook Of Erebus.] The most profound horrifono ftridentes cardine depth of Hell. The ingenious author of the Mif- Erebi de fedibus imis. Virg. Georg. IV. 471. Hume. T 4 The secrets of the hoary deep, a dark Illimitable ocean, without bound, Without dimenfion, where length, breadth, and highth, And time, and place are loft; where eldest Night And Chaos, ancestors of nature, hold Eternal anarchy, amidft the noise Of endless wars, and by confufion ftand. 895 For hot, cold, moift, and dry, four champions fierce, Strive here for maft'ry, and to battel bring Their embryon atoms; they around the flag 900 Of 894. -where eldeft Night And Chaos, &c.] All the ancient naturalifts, philofophers, and poets, hold that Chaos was the first principle of all things; and the poets particularly make Night a Goddess, and reprefent Night or dark nefs and Chaos or confufion as exercifing uncontroll'd dominion from the beginning. Thus Orpheus in the beginning of his hymn to Night addreffes her as the mother of the Gods and Men, and origin of all things, Νυκία θεων γενέτειραν αείσομαι nde nau and pais', Νυξ γενεσις παιζων. So also Spenfer in imitation of the Ancients, Fairy Queen, B. 1. C. 5. St. 22. O thou most ancient Grandmother of all, More old than Jove, &c. And our author's fyftem of the univerfe is in fhort, that the empyrean Heaven, and Chaos and darknefs were before the creation, Heaven above and Chaos beneath; and then upon the rebellion of the Angels firft Hell was formed out of Chaos firetching far and wide beneath; and afterwards Heaven and Earth, another world, hanging o'er the realm of Chaos, and won from his dominion. See ver. 1002, &c. and 978. 898. For hot, cold, moift, and dry, &c.] Ovid. Met. I. 19. Frigida pugnabant calidis, humentia ficcis, Of each his faction, in their several clans, Light-arm'd or heavy, sharp, smooth, fwift or flow, Of Barca or Cyrene's torrid foil, Levied to fide with warring winds, and poise 905 Their lighter wings. To whom these most adhere, Mollia cum duris, fine pondere habentia pondus. The reader may compare this whole description of Chaos with Ovid's, and he will eafily fee how the Roman poet has leffen'd the grandeur of his by puerile conceits and quaint antithefes: every thing in Milton is great and masterly. 902. Light-arm'd or heavy,] He continues the warlike metaphor; some of them are light-arm'd or beavy, levis or gravis armaturæ. Hume. 904. Of Barca or Cyrene's torrid Joil,] A city and province of dry fandy Libya, Virg. Æn. IV. 42. Hinc deferta fiti regio, lateque 910 The 905.and poife] Give weight or ballaft to. Pliny speaks of certain birds, who when a ftorm arises poife themselves with little ftones, L. 11. C. 10. Virgil has the fame thought of his bees, Georg. IV. 194. Richardfon. 906. To whom thefe moft adhere,] Dr. Bentley reads the most adhere, that is (fays he) he of the four rules, while he has the majority. But this is not Milton's fenfe; for according to him no atoms adhere to moift, but fuch as belong to his faction, and the fame is to be faid of hot, cold, and dry. Therefore the reason why any one of these four champions rules (tho' but for a moment) is because the atoms of his faction adhere most to him. Firm dependence indeed (fays the Doctor) and worthy the fuperla tive |