The Criticism of LiteratureMacmillan, 1928 - 397 sivua |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 63
Sivu vii
... seem an imperti- nence . But after conducting for five years , for college juniors and seniors , the course in literary criticism out of which this book has grown , I have become convinced that there is a place for a study of the ...
... seem an imperti- nence . But after conducting for five years , for college juniors and seniors , the course in literary criticism out of which this book has grown , I have become convinced that there is a place for a study of the ...
Sivu 2
... seem at first sight to be dogmatic , are really inductive in their origin . Aristotle , for example , the earliest formulator of rules for writing , based those rules on the practice of the great writers of Greece . Since the poems of ...
... seem at first sight to be dogmatic , are really inductive in their origin . Aristotle , for example , the earliest formulator of rules for writing , based those rules on the practice of the great writers of Greece . Since the poems of ...
Sivu 10
... seems a bigger thing than any one of the schools would have us believe . By all means let us gather data , let us analyze and classify ; by all means let us disengage the æsthetic charm ; by all means let us enjoy and inter- pret that ...
... seems a bigger thing than any one of the schools would have us believe . By all means let us gather data , let us analyze and classify ; by all means let us disengage the æsthetic charm ; by all means let us enjoy and inter- pret that ...
Sivu 16
... seem to fall into three large classes , in- tellectual , ethical , and emotional . About the relative im- portance of these values , and even about the necessity of including all or any of them , there will be differences of opinion ...
... seem to fall into three large classes , in- tellectual , ethical , and emotional . About the relative im- portance of these values , and even about the necessity of including all or any of them , there will be differences of opinion ...
Sivu 18
... seems to be the middle road . There is something of the scientist certainly in the critic , if our analysis of the critical process is cor- rect , something of the investigator and the gatherer of facts . But ( just as there is in the ...
... seems to be the middle road . There is something of the scientist certainly in the critic , if our analysis of the critical process is cor- rect , something of the investigator and the gatherer of facts . But ( just as there is in the ...
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
A. A. Milne æsthetic appeal Aristotle artist beauty biography century chapter character climax closet drama creative critic definite delight detail Dickens drama Dryden E. E. Cummings E. V. Lucas Elinor Wylie epic essay Essay on Criticism ethical expression fact familiar feeling free verse give harmony human humor iambic pentameter idea images imagination instance intellectual value interest interpretation Jane Austen Keats Letty lines literary literature lyric Macmillan material means merely metrical mind modern moral narrative nature never novel novelist Olivia Paradise Lost passage perhaps picture play pleasure plot poem poet poetic experience poetry present Psychology of Beauty purpose reader realistic realize rhyme rhythm scene sense Shakespeare Shelley Shelley's significance sometimes sound speech spirit stanza story structure style suggested symbol things thought tion true truth unity verse vision whole words Wordsworth writer
Suositut otteet
Sivu 133 - While he from forth the closet brought a heap Of candied apple, quince, and plum, and gourd, With jellies soother than the creamy curd, And lucent syrops, tinct with cinnamon, Manna and dates, in argosy transferr'd From Fez, and spiced dainties, every one, From silken Samarcand to cedar'd Lebanon.
Sivu 149 - Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along.
Sivu 152 - Their dread commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appeared Less than arch-angel ruined, and the excess Of glory obscured...
Sivu 104 - Poor vaunt of life indeed, Were man but formed to feed On joy, to solely seek and find and feast: Such feasting ended, then As sure an end to men; Irks care the crop-full bird? Frets doubt the mawcrammed beast? v Rejoice we are allied To That which doth provide And not partake, effect and not receive! A spark disturbs our clod; Nearer we hold of God Who gives, than of His tribes that take, I must believe.
Sivu 205 - All the earth and air With thy voice is loud, As, when night is bare, From one lonely cloud The moon rains out her beams, and Heaven is overflowed.
Sivu 342 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul, All the images of Nature were still present to him, and he drew them, not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too.
Sivu 361 - Out of the hills of Habersham, Down the valleys of Hall, I hurry amain to reach the plain, Run the rapid and leap the fall, Split at the rock and together again, Accept my bed, or narrow or wide, And flee from folly on every side With a lover's pain to attain the plain Far from the hills of Habersham, Far from the valleys of Hall. All down the hills of Habersham, All through the valleys of Hall, The rushes cried Abide, abide...
Sivu 153 - That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
Sivu 154 - Of fruits, and flowers, and bunches of knot-grass, And diamonded with panes of quaint device, Innumerable of stains and splendid dyes, As are the tiger-moth's deep-damask'd wings; And in the midst, 'mong thousand heraldries, And twilight saints, and dim emblazonings, A shielded scutcheon blush'd with blood of queens and kings.
Sivu 130 - I need scarcely observe that a poem deserves its title only inasmuch as it excites by elevating the soul. The value of the poem is in the ratio of this elevating excitement. But all excitements are, through a psychal necessity, transient. That degree of excitement which would entitle a poem to be so called at all cannot be sustained throughout a composition of any great length. After the lapse of half an hour, at the very utmost, it flags, fails, a revulsion ensues ; and then the poem is, in effect...