Sacred and Legendary Art, Nide 1 |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 36
Sivu 2
The Legendary Art of the Middle Ages sprang out of the legendary literature of
the preceding ages . For three centuries at least this literature , the only literature
which existed at the time , formed the sole mental and moral nourishment of the ...
The Legendary Art of the Middle Ages sprang out of the legendary literature of
the preceding ages . For three centuries at least this literature , the only literature
which existed at the time , formed the sole mental and moral nourishment of the ...
Sivu 4
Of the “ Dark Ages , " emphatically so called , the period to which I allude was
perhaps the darkest ; it was “ of Night's black arch the key - stone . ” At a time
when men were given over to the direst evils that can afflict humanity , –
ignorance ...
Of the “ Dark Ages , " emphatically so called , the period to which I allude was
perhaps the darkest ; it was “ of Night's black arch the key - stone . ” At a time
when men were given over to the direst evils that can afflict humanity , –
ignorance ...
Sivu 209
... ages , is founded on some antique traditions not wholly unsupported by
historical testimony . There can be no doubt that there existed in the first century a
Simon , a Samaritan , a pretender to divine authority and supernatural powers ;
who ...
... ages , is founded on some antique traditions not wholly unsupported by
historical testimony . There can be no doubt that there existed in the first century a
Simon , a Samaritan , a pretender to divine authority and supernatural powers ;
who ...
Mitä ihmiset sanovat - Kirjoita arvostelu
Yhtään arvostelua ei löytynyt.
Sisältö
INTRODUCTION | 1 |
Of the Distinction to be drawn between Devotional | 18 |
Of certain Emblems and Attributes of general Applica | 26 |
24 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
according ages altar ancient Andrew angels apostles appears arms artist attended attribute bear beard beautiful bishop called carried century chapel character Christ Christian church color composition cross death devotional divine early Evangelists example expression face famous feeling feet figures follow four frequent fresco Gallery give given glory Gospel Greek hair hand head heaven holds instance Italy James Jerome John king kneeling later legend look Lord manner Mark martyrdom Mary Magdalene Michael mosaics painted painters particular patron Paul person personages Peter picture preaching present Raphael received representations represented returned Rome round saint Saviour scene Scripture seated seems seen side Simon sometimes spirit stands story style supposed sword symbol taking Thomas throne tion tradition treated treatment twelve usual Venice Virgin whole wings