Sacred and Legendary Art, Nide 1 |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 26
Sivu 241
... praying for aid . tle took off his cloak , and gave it to the servant to give his
master ; and no sooner had Philetus touched it , than he became free , and
hastened to throw himself at the feet of his deliverer . Hermogenes , more furious
than ever ...
... praying for aid . tle took off his cloak , and gave it to the servant to give his
master ; and no sooner had Philetus touched it , than he became free , and
hastened to throw himself at the feet of his deliverer . Hermogenes , more furious
than ever ...
Sivu 267
In those Scripture scenes in which he finds a place , it was the aim of the early
artists to give him a countenance as hateful , as expressive of treachery ,
meanness , malignity , as their skill could compass , the Italians having depended
more on ...
In those Scripture scenes in which he finds a place , it was the aim of the early
artists to give him a countenance as hateful , as expressive of treachery ,
meanness , malignity , as their skill could compass , the Italians having depended
more on ...
Sivu 341
The obvious intention of this wild legend is to give effect to the doctrine of
purgatory , and the efficacy of prayers for the dead . St. Gregory's merciful
doctrine of purgatory also suggested those pictures so often found in chapels
dedicated to the ...
The obvious intention of this wild legend is to give effect to the doctrine of
purgatory , and the efficacy of prayers for the dead . St. Gregory's merciful
doctrine of purgatory also suggested those pictures so often found in chapels
dedicated to the ...
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Sisältö
INTRODUCTION | 1 |
Of the Distinction to be drawn between Devotional | 18 |
Of certain Emblems and Attributes of general Applica | 26 |
24 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
according ages altar ancient Andrew angels apostles appears arms artist attended attribute bear beard beautiful bishop called carried century chapel character Christ Christian church color composition cross death devotional divine early Evangelists example expression face famous feeling feet figures follow four frequent fresco Gallery give given glory Gospel Greek hair hand head heaven holds instance Italy James Jerome John king kneeling later legend look Lord manner Mark martyrdom Mary Magdalene Michael mosaics painted painters particular patron Paul person personages Peter picture preaching present Raphael received representations represented returned Rome round saint Saviour scene Scripture seated seems seen side Simon sometimes spirit stands story style supposed sword symbol taking Thomas throne tion tradition treated treatment twelve usual Venice Virgin whole wings