Sacred and Legendary Art, Nide 1 |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 85
Sivu 111
And again in a picture by Mabuse , * where St. Michael , as patron , sets his foot
on the black , grinning fiend , and looks down on a kneeling votary , while the
votary , with his head turned away , appears to be worshipping , not the
protecting ...
And again in a picture by Mabuse , * where St. Michael , as patron , sets his foot
on the black , grinning fiend , and looks down on a kneeling votary , while the
votary , with his head turned away , appears to be worshipping , not the
protecting ...
Sivu 137
Sometimes they are the heads only of the mystic creatures , on an azure ground ,
studded with stars , floating as in a ... The next step was the combination of the
emblem with the human form , i . e . the head of the lion , ox , or eagle set upon ...
Sometimes they are the heads only of the mystic creatures , on an azure ground ,
studded with stars , floating as in a ... The next step was the combination of the
emblem with the human form , i . e . the head of the lion , ox , or eagle set upon ...
Sivu 191
The ancient Greek type of the head of St. Peter , “ the Pilot of the Galilean lake , ”
is so strongly characterized as to have the air of a portrait . It is either taken from
the description of Nicephorus , so often quoted , or his description is taken from ...
The ancient Greek type of the head of St. Peter , “ the Pilot of the Galilean lake , ”
is so strongly characterized as to have the air of a portrait . It is either taken from
the description of Nicephorus , so often quoted , or his description is taken from ...
Mitä ihmiset sanovat - Kirjoita arvostelu
Yhtään arvostelua ei löytynyt.
Sisältö
INTRODUCTION | 1 |
Of the Distinction to be drawn between Devotional | 18 |
Of certain Emblems and Attributes of general Applica | 26 |
24 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
according ages altar ancient Andrew angels apostles appears arms artist attended attribute bear beard beautiful bishop called carried century chapel character Christ Christian church color composition cross death devotional divine early Evangelists example expression face famous feeling feet figures follow four frequent fresco Gallery give given glory Gospel Greek hair hand head heaven holds instance Italy James Jerome John king kneeling later legend look Lord manner Mark martyrdom Mary Magdalene Michael mosaics painted painters particular patron Paul person personages Peter picture preaching present Raphael received representations represented returned Rome round saint Saviour scene Scripture seated seems seen side Simon sometimes spirit stands story style supposed sword symbol taking Thomas throne tion tradition treated treatment twelve usual Venice Virgin whole wings