Something Completely Different: British Television and American CultureU of Minnesota Press, 2000 - 250 sivua Between Emma Peel and tire Ministry of Silly Walks British television had a significant impact on American popular culture in the 1960s and 1970s. In Something Completely Different, Jeffrey Miller offers the first comprehensive study of British programming on American television, discussing why the American networks imported such series as The Avengers and Monty Python's Flying Circus; how American audiences received these uniquely British shows; and how the shows' success reshaped American television. Miller's lively analysis covers three genres: spy shows, costume dramas, and sketch comedies. In addition to his close readings of the series themselves, Miller considers the networks' packaging of the programs for American viewers and the influences that led to their acceptance, including the American television industry's search for new advertising revenue and the creation of PBS. |
Sisältö
Here Not There American Imperialists and British Invaders | 1 |
Danger Men Secret Agent and The Prisoner | 25 |
Mrs Peel Goes to Washington The Avengers | 51 |
Down the Up Staircase The Forsyte Saga Masterpiece Theatre and Upstairs Downstairs | 75 |
Naughty Bits of Limey Eccentricity That Was the Week That Was and Monty Pythons Flying Circus | 111 |
All in the AngloAmerican Family Hollywood Reproductions of British Originals | 139 |
British Television and American Culture Something Completely Different? | 169 |
Notes | 185 |
| 237 | |
Muita painoksia - Näytä kaikki
Something Completely Different: British Television and American Culture ... Jeffrey S. Miller Rajoitettu esikatselu - 1997 |
Something Completely Different: British Television and American Culture Jeffrey S. Miller Rajoitettu esikatselu - 2000 |
Yleiset termit ja lausekkeet
Ameri American audience American culture American television argues artifacts Avengers Bakhtin Bennett and Woollacott Britain British Film British programming British show British television Bunker character Churchills comic commercial networks construction created critics cultural imperialism David Frost defined demographic dialogue Downstairs elements elite Emma Peel episode Forsyte Saga Fringe to Flying genre Gitlin Horace Newcomb Ibid ideological James Bond John Drake Kennedy Lear Lear's Les Brown Lew Grade London male Masterpiece Theatre McGoohan meaning Mobil Monty Python Monty Python's Flying myth narrative image Nixon norms political popular presented prime-time producers public broadcasting public television Python's Flying Circus Rigg Robert Musel role Sanford Sanford and Son satire Schiller Secret Agent serial dramas sexuality show's significant sitcom situation comedy sketch soap opera social specific Steptoe Steptoe and Son tion transnational communication TV Guide United Upstairs utterances Variety viewers Week Wilmut women York