Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to the PresentDaniel Fischlin, Mark Fortier Routledge, 1.5.2014 - 328 sivua Shakespeare's plays have been adapted or rewritten in various, often surprising, ways since the seventeenth century. This groundbreaking anthology brings together twelve theatrical adaptations of Shakespeares work from around the world and across the centuries. The plays include The Woman's Prize or the Tamer Tamed John Fletcher The History of King Lear Nahum Tate King Stephen: A Fragment of a Tragedy John Keats The Public (El P(blico) Federico Garcia Lorca The Resistible Rise of Arturo Ui Bertolt Brecht uMabatha Welcome Msomi Measure for Measure Charles Marowitz Hamletmachine Heiner Müller Lears Daughters The Womens Theatre Group & Elaine Feinstein Desdemona: A Play About a Handkerchief Paula Vogel This Islands Mine Philip Osment Harlem Duet Djanet Sears Each play is introduced by a concise, informative introduction with suggestions for further reading. The collection is prefaced by a detailed General Introduction, which offers an invaluable examination of issues related to |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 73
Sivu 7
... speaking bodies, lights, sounds, movements, and all other cultural elements at work in theatrical production. Given the complexity that recontextualization brings into play, it is not surprising to read critic James Bulman writing of ...
... speaking bodies, lights, sounds, movements, and all other cultural elements at work in theatrical production. Given the complexity that recontextualization brings into play, it is not surprising to read critic James Bulman writing of ...
Sivu 11
... speaking on the importance of Shakespeare in the English national imaginary, proclaimed Shakespeare a 'figure so colossal that he forms a kind of touchstone to any particular period, and we could almost write a history of English ...
... speaking on the importance of Shakespeare in the English national imaginary, proclaimed Shakespeare a 'figure so colossal that he forms a kind of touchstone to any particular period, and we could almost write a history of English ...
Sivu 12
... speaking educated members of the ruling classes as a means of evidencing their affiliations with the imperial and colonial centres. Possession and knowledge of Shakespeare texts become evidence of empowerment, enabling these members of ...
... speaking educated members of the ruling classes as a means of evidencing their affiliations with the imperial and colonial centres. Possession and knowledge of Shakespeare texts become evidence of empowerment, enabling these members of ...
Sivu 19
... speak to (and for) the dead. Conclusion: Shakespeare. ongoing. 'Every page is a paper mirror. You bend over it and look at yourself. Water likewise gives back our image; but what image has ever been able to hold the river?' he replied ...
... speak to (and for) the dead. Conclusion: Shakespeare. ongoing. 'Every page is a paper mirror. You bend over it and look at yourself. Water likewise gives back our image; but what image has ever been able to hold the river?' he replied ...
Sivu 37
Katseluoikeutesi tähän teokseen on päättynyt.
Katseluoikeutesi tähän teokseen on päättynyt.
Sisältö
1 | |
23 | |
The History of King Lear | 66 |
A Dramatic Fragment | 97 |
The Public El público | 103 |
The Resistible Rise of Arturo Ui | 125 |
uMabatha | 164 |
Measure for Measure | 188 |
Hamletmachine | 208 |
Lears Daughters | 215 |
A Play About a Handkerchief | 233 |
This Islands Mine | 255 |
Harlem Duet | 285 |
Further Adaptations | 318 |
Muita painoksia - Näytä kaikki
Adaptations of Shakespeare: A Critical Anthology of Plays from the ... Daniel Fischlin,Mark Fortier Rajoitettu esikatselu - 2000 |
Adaptations of Shakespeare: A Critical Anthology of Plays from the ... Daniel Fischlin,Mark Fortier Rajoitettu esikatselu - 2000 |
Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to ... Daniel Fischlin,Mark Fortier Rajoitettu esikatselu - 2014 |
Yleiset termit ja lausekkeet
adaptation AMAH ANGELO Arturo BASTARD BHANGANE BIANCA BILLIE blood Brecht CANADA Cauliflower Cauliflower Trust CHARACTER IN BELLS CHARACTER IN VINE CLARK CLAUDIO CORDELIA cultural DEBBIE DESDEMONA DIRECTOR Djanet Sears DOGSBOROUGH door DUKE DULLFEET EDGAR EMILIA Enter ESCALUS Exeunt Exit eyes father FOOL friends GIRI give GIVOLA GLOSTER GONERIL Hamletmachine hand Harlem He’s hear Heaven Heiner Müller HOSHWENI ISABELLA JAQUES JODY Juliet KAMADONSELA KENT Khondo King King Lear kiss lady LEAR leave LIVIA look Lord LUCIO LUKE m’lady MABATHA MAFUDU MAGI MAKHIWANE man’s MARIA MARIANNE Marowitz MARTIN Mbathazeli Mdangazeli MISS ROSENBLUM MOROSO MURDERER NANNY never night NURSE O’CASEY OTHELLO Paula Vogel PEDRO PETRONIUS PETRUCHIO PROVOST REGAN ROMA ROWLAND SANGOMA Scene SELWYN Shakespeare Sheet SOPHOCLES speak stage STEPHEN tell theatre theatrical thee There’s thing thou TRANIO What’s WHITE HORSE who’s woman women you’re