The TempestCambridge University Press, 17.8.2000 - 373 sivua This edition of The Tempest is the first dedicated to its stage history. Dymkowski examines four centuries of mainstream, regional, and fringe productions in Britain, nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. She analyses the cultural significance of changes in theatrical representation, eg. when and why Caliban began to be represented by a black actor, and Ariel became a man's role rather than a woman's. The commentary annotates each line of the play with details about acting, setting, textual alteration and contemporary reception. |
Kirjan sisältä
Tulokset 1 - 5 kokonaismäärästä 90
Sivu 3
... actor , and Ariel became a man's role rather than a woman's . The commentary annotates each line of the play with details about acting , setting , textual alteration and cuts , and contemporary reception . With extensive quotation from ...
... actor , and Ariel became a man's role rather than a woman's . The commentary annotates each line of the play with details about acting , setting , textual alteration and cuts , and contemporary reception . With extensive quotation from ...
Sivu xii
... actor in Tree's production , rather than Tree himself . In some cases ( for example , ' Kean's Prospero ' ) , the part was in fact played by the actor- manager in his own production . The actors of parts not discussed in the ...
... actor in Tree's production , rather than Tree himself . In some cases ( for example , ' Kean's Prospero ' ) , the part was in fact played by the actor- manager in his own production . The actors of parts not discussed in the ...
Sivu xix
... actor - manager ; ( m ) manager ; ( d ) director . Although adapters have consciously altered Shakespeare's text , it should be remembered that each production is to some extent itself an adaptation : actor - managers and directors cut ...
... actor - manager ; ( m ) manager ; ( d ) director . Although adapters have consciously altered Shakespeare's text , it should be remembered that each production is to some extent itself an adaptation : actor - managers and directors cut ...
Sivu xxii
William Shakespeare Christine Dymkowski. Adapter / actor - manager / director Company Venue Design Music Date of first performance Russell Thorndike and Old Vic Wilfred Walter Sullivan 13 October 1919 Charles Warburton ( d ) Viola Tree ...
William Shakespeare Christine Dymkowski. Adapter / actor - manager / director Company Venue Design Music Date of first performance Russell Thorndike and Old Vic Wilfred Walter Sullivan 13 October 1919 Charles Warburton ( d ) Viola Tree ...
Sivu xxiv
William Shakespeare Christine Dymkowski. Adapter / actor - manager / director George Devine and Company Venue Design Music Date of first performance Old Vic Oliver Messel J. S. Bach , W. A. Mozart 29 May 1940 Marius Goring ( d ) * Norman ...
William Shakespeare Christine Dymkowski. Adapter / actor - manager / director George Devine and Company Venue Design Music Date of first performance Old Vic Oliver Messel J. S. Bach , W. A. Mozart 29 May 1940 Marius Goring ( d ) * Norman ...
Sisältö
Introduction | xxxii |
List of characters | 94 |
The Tempest and commentary | 95 |
selected textual variations | 336 |
list of principal players | 343 |
Bibliography | 349 |
360 | |
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actors Adrian Alonso Antonio appeared archive video Ariel Ashwell audience Ayrton Benedict Nightingale Benthall Benthall's Billington Birmingham Repertory Theatre Boatswain Bogdanov's Bridges-Adams Brook's Caliban Ceres changed costume courtiers Coveney Cut by Garrick Daly cut Daniels's Prospero directors Donnellan's dressed Dryden/Davenant and Shadwell entered exited Ferdinand Gielgud Gonzalo Hack cut Hall's hand Hippolito Hytner's Hytner's Prospero Iden Payne interpolated island Jacobean John Juno Kean Kean cut Kean's Kemble lines London looked lords Macready Macready's magic mariners masque Mendes's Michael Michael Billington Miller's Miranda Miranda and Ferdinand monster nymphs off-stage Old Vic performance Phelps Phelps's play production promptbook Prospero Prospero spoke Purcarete's respectively reviewer Salisbury Playhouse sang scene Sebastian ship singing song speech spirits stage Stephano Stephano and Trinculo storm Stratford Stratford pb Stratford-upon-Avon Strehler's Sycorax Tempest Tempest at Salisbury Thacker's theatrical thee thou thunder Tree's Trewin Trinculo versions Wardle Williams Williams's
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