The TempestCambridge University Press, 17.8.2000 - 373 sivua This edition of The Tempest is the first dedicated to its stage history. Dymkowski examines four centuries of mainstream, regional, and fringe productions in Britain, nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. She analyses the cultural significance of changes in theatrical representation, eg. when and why Caliban began to be represented by a black actor, and Ariel became a man's role rather than a woman's. The commentary annotates each line of the play with details about acting, setting, textual alteration and contemporary reception. |
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Tulokset 1 - 5 kokonaismäärästä 75
Sivu 3
... example , when and why Caliban began to be represented by a black actor , and Ariel became a man's role rather than a woman's . The commentary annotates each line of the play with details about acting , setting , textual alteration and ...
... example , when and why Caliban began to be represented by a black actor , and Ariel became a man's role rather than a woman's . The commentary annotates each line of the play with details about acting , setting , textual alteration and ...
Sivu 11
... example , the many ways of playing Queen Gertrude , or the political transmutations of the text of Henry V ; or take a scene , an act or a whole play , and work out how it has succeeded or failed in presen- tation over four hundred ...
... example , the many ways of playing Queen Gertrude , or the political transmutations of the text of Henry V ; or take a scene , an act or a whole play , and work out how it has succeeded or failed in presen- tation over four hundred ...
Sivu xii
... example , " Tree's Prospero ' means the actor in Tree's production , rather than Tree himself . In some cases ( for example , ' Kean's Prospero ' ) , the part was in fact played by the actor- manager in his own production . The actors ...
... example , " Tree's Prospero ' means the actor in Tree's production , rather than Tree himself . In some cases ( for example , ' Kean's Prospero ' ) , the part was in fact played by the actor- manager in his own production . The actors ...
Sivu xxxii
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Valitettavasti tämän sivun sisältö on rajoitettu.
Sivu xxxii
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Sisältö
Introduction | xxxii |
List of characters | 94 |
The Tempest and commentary | 95 |
selected textual variations | 336 |
list of principal players | 343 |
Bibliography | 349 |
360 | |
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Yleiset termit ja lausekkeet
actors Adrian Alonso Antonio appeared archive video Ariel Ashwell audience Ayrton Benedict Nightingale Benthall Benthall's Billington Birmingham Repertory Theatre Boatswain Bogdanov's Bridges-Adams Brook's Caliban Ceres changed costume courtiers Coveney Cut by Garrick Daly cut Daniels's Prospero directors Donnellan's dressed Dryden/Davenant and Shadwell entered exited Ferdinand Gielgud Gonzalo Hack cut Hall's hand Hippolito Hytner's Hytner's Prospero Iden Payne interpolated island Jacobean John Juno Kean Kean cut Kean's Kemble lines London looked lords Macready Macready's magic mariners masque Mendes's Michael Michael Billington Miller's Miranda Miranda and Ferdinand monster nymphs off-stage Old Vic performance Phelps Phelps's play production promptbook Prospero Prospero spoke Purcarete's respectively reviewer Salisbury Playhouse sang scene Sebastian ship singing song speech spirits stage Stephano Stephano and Trinculo storm Stratford Stratford pb Stratford-upon-Avon Strehler's Sycorax Tempest Tempest at Salisbury Thacker's theatrical thee thou thunder Tree's Trewin Trinculo versions Wardle Williams Williams's
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