Dostoevsky's Spiritual Art: The Burden of VisionTransaction Publishers - 216 sivua Fyodor Dostoevsky's highest and most permanent achievement as a novelist lies in his exploration of man's religious complex, his world and his fate. His primary vision is to be found in his last five novels: Crime and Punishment, The Idiot, The Devils, A Raw Youth, and The Brothers Karamazov. This volume culminates twenty years of studying, teaching, and writing on Dostoevsky. Here George A. Panichas critically analyzes the religious themes and meanings of the author's major works. Focusing on the pervasive spiritual consciousness at play, Panichas views Dostoevsky not as a religious doctrinaire, but as a visionary whose five great novels constitute a sequential meditation on man's human and superhuman destiny. |
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Tulokset 1 - 5 kokonaismäärästä 16
... believe in nothing .... [ W ] e hold an unshakable , if often unconscious , faith in the nothing , or in nothingness as such .... [ O ] ur religion is one of very comfortable nihilism . " By this nihilism Hart means the belief that the ...
... believe that real fraternity could be deliberately created in the West , or anywhere else , because it can exist only of itself through free self - surrender . Instead of fraternity , he found in Europe , as he observes in Winter Notes ...
... believe that rationality ( in its modern conception ) was the solution to human unhappiness , believed in 1862 that genuine fraternity required that the / give up being demanding and rebellious and offer up its rights " unconditionally ...
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Dostoevsky's Spiritual Art: The Burden of Vision George Andrew Panichas Esikatselu ei käytettävissä - 1985 |