Neo-classical Criticism, 1660-1800Ir醗ne·Simon University of South Carolina Press, 1971 - 224 sivua |
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Tulokset 1 - 3 kokonaismäärästä 10
Sivu 83
... endeavour to invent without materials on which the mind may work , and from which invention must originate . Nothing can come from nothing . Homer is supposed to be possessed of all the learning of his time ; and we are certain that ...
... endeavour to invent without materials on which the mind may work , and from which invention must originate . Nothing can come from nothing . Homer is supposed to be possessed of all the learning of his time ; and we are certain that ...
Sivu 92
... endeavour the advancement of the common cause with greater force united . In order , then , to the calming the fury of the contending parties , I shall endeavour to extort important concessions from both , and oblige , on the one side ...
... endeavour the advancement of the common cause with greater force united . In order , then , to the calming the fury of the contending parties , I shall endeavour to extort important concessions from both , and oblige , on the one side ...
Sivu 104
... endeavour to observe it in appearance . For whenever the scene is shifted the act ceases , since some time is necessarily supposed to elapse while the personages of the drama change their place . With no greater right to our obedience ...
... endeavour to observe it in appearance . For whenever the scene is shifted the act ceases , since some time is necessarily supposed to elapse while the personages of the drama change their place . With no greater right to our obedience ...
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action admiration Aeneid ALEXANDER POPE ancients appear Aristotle audience beauty Boileau characters comedy common composition delight Discourse divine end of poetry endeavour English epic poem epic poetry Essay of Dramatic Essay on Criticism excellence expression fable fancy faults fiction genius genre give Gondibert greater Homer Horace human humour imagination imitation of nature instruction invention JOHN DENNIS JOHN DRYDEN JOSEPH ADDISON judge judgment kind language learning Lisideius mankind manners mind moderns moral neo-classical neo-classical criticism neo-classicists never objects observed opinion particular passions perfect persons play pleased pleasure poet poetic justice poetical Preface principles proper propriety reader reason rhyme ridiculous rules Rymer Samson Agonistes SAMUEL JOHNSON satire sense sentiments Shakespeare shew Spectator stage style sublime taste things THOMAS RYMER thought tion tragedy Troilus and Cressida true truth unity variety verse Virgil virtue words writing