The Essential HBO Reader

Gary Richard Edgerton, Jeffrey P. Jones
University Press of Kentucky, 2008 - 357 sivua
This is a comprehensive and compelling examination of HBO, one of cable television's most innovative and popular US TV networks.

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Sivu 23 - The work of art is an object which exists as such only by virtue of the (collective) belief which knows and acknowledges it as a work of art.
Sivu 37 - It therefore has to consider as contributing to production not only the direct producers of the work in its materiality (artist, writer, etc.) but also the producers of the meaning and value of the work - critics, publishers, gallery directors and the whole set of agents whose combined efforts produce consumers capable of knowing and recognizing the work of art as such, in particular teachers (but also families, etc.).
Sivu 39 - Pierre Bourdieu, The Field of Cultural Production (New York: Columbia University Press, 1993), especially the essay "The Market of Symbolic Goods,
Sivu 51 - The Work of Art in the Age of Mechanical Reproduction," in Hannah Arendt, ed., Illuminations: Essays and Reflections (New York: Schocken Books, 1968), 217-52.
Sivu 39 - Horace Newcomb, TV: The Most Popular Art (Garden City, NY: Anchor Books, 1974), 249. 39. George Schaefer, comments in Television Makers, Newton E. Meltzer-produced televised PBS documentary, 1986. 40. Ken Howard, "Why I Left Prime-Time TV for Harvard," TV Guide, February 21, 1 987, 6.
Sivu 39 - The Birth of the Museum: History, Theory, and Politics (London: Routledge, 1996); and Carol Duncan, Civilizing Rituals: Inside Public Art Museums (London: Routledge, 1995).

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