Mitä ihmiset sanovat - Kirjoita arvostelu
Yhtään arvostelua ei löytynyt.
Muita painoksia - Näytä kaikki
actors Altman America Undercover American Angels in America Apollo audience Award Band of Brothers Bewkes boxing brand broadcast networks camera campaign Carrie Bradshaw channel characters Chris Albrecht Cinemax City comedian comic commercial creative critical cultural Curb Your Enthusiasm David Chase Deadwood deﬁned documentary programming drama Emmy entertainment episode executive producer feature Feminism ﬁctional ﬁgures ﬁlm ﬁlmmakers ﬁnal ﬁnd ﬁve genre HBO comedy HBO documentaries HBO Films HBO’s Hollywood industry interview Larry David Larry Sanders Show Larry’s late night lives Michael Milch million miniseries narrative Nevins’s offer Ofﬁce original programming original series play political popular premiered proﬁt reality satellite screen Seinfeld sexual Shandling Sheila Nevins show’s signiﬁcant Six Feet social Sopranos speciﬁc sport stand—up star story subscribers talk show Tanner 88 Taxicab Confessions television series theatrical tion Tony Trudeau viewers Warner women York
Sivu 23 - The work of art is an object which exists as such only by virtue of the (collective) belief which knows and acknowledges it as a work of art.
Sivu 37 - It therefore has to consider as contributing to production not only the direct producers of the work in its materiality (artist, writer, etc.) but also the producers of the meaning and value of the work - critics, publishers, gallery directors and the whole set of agents whose combined efforts produce consumers capable of knowing and recognizing the work of art as such, in particular teachers (but also families, etc.).
Sivu 39 - Pierre Bourdieu, The Field of Cultural Production (New York: Columbia University Press, 1993), especially the essay "The Market of Symbolic Goods,
Sivu 51 - The Work of Art in the Age of Mechanical Reproduction," in Hannah Arendt, ed., Illuminations: Essays and Reflections (New York: Schocken Books, 1968), 217-52.
Sivu 39 - Horace Newcomb, TV: The Most Popular Art (Garden City, NY: Anchor Books, 1974), 249. 39. George Schaefer, comments in Television Makers, Newton E. Meltzer-produced televised PBS documentary, 1986. 40. Ken Howard, "Why I Left Prime-Time TV for Harvard," TV Guide, February 21, 1 987, 6.