Children, Parents, and the Rise of the NovelUniversity of Delaware Press, 1995 - 252 sivua "In Children, Parents, and the Rise of the Novel, T. G. A. Nelson challenges the views of literary critics who contend that the child held little importance as a theme of imaginative literature in the first half of the eighteenth century. Nelson's work follows thirty years of intense discussion of children and childhood by social historians, most of whom see the first half of the eighteenth century as a time of momentous change." "In Restoration comedy, for example, the child is a signifier of unwanted burdens that may fall on the parents: wit and cunning are expended in transferring responsibility for children to convenient dupes. However, in the early novel, in periodical literature, and in other discourses of concern, the comic, dismissive response toward children is increasingly marginalized and subjected to negative criticism, especially when attributed to wealthy or socially distinguished characters. In traditional comedy, rejection of children characterized the carefree rake, who, though satirized at times, was generally projected as an embodiment of the life-force. In the new writing, rejection of children is firmly associated with frigidity, especially among the rich, not with life-giving energy." "Recent writers on the eighteenth-century novel have overstressed elements of covert hostility toward wives and children. This seems partly due to their own ideological rejection of the family and partly to their misunderstanding of the nature of fictional and dramatic narrative. Such narrative is unsuited to figurations of domestic peace and harmony; often it is in situations of domestic discord that the child figure becomes most active and significant in the world of the novel, but this does not mean that the novelists continued to present the child or the family negatively, as earlier dramatists had done. Overall, the child in eighteenth-century fiction is not merely more prominent than has been generally recognized, but is identifiable as a signifier of hope, vigor, spontaneity, and new life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Tulokset 1 - 3 kokonaismäärästä 44
Sivu 72
... Locke likewise had used it in the First Trea- tise of Government , directing his irony not merely at the Tory gentry of his time but at the whole ideology of patriarchy . In ridiculing certain claims of Sir Robert Filmer , which reduced ...
... Locke likewise had used it in the First Trea- tise of Government , directing his irony not merely at the Tory gentry of his time but at the whole ideology of patriarchy . In ridiculing certain claims of Sir Robert Filmer , which reduced ...
Sivu 86
... Locke notes that , though a child has no innate knowledge of the danger of fire , it responds instinctively to the beauty of flickering flames . He also knows that a six - month - old child can distinguish between differ- ent adults and ...
... Locke notes that , though a child has no innate knowledge of the danger of fire , it responds instinctively to the beauty of flickering flames . He also knows that a six - month - old child can distinguish between differ- ent adults and ...
Sivu 94
... Locke , he is in some ways typical of those tendencies against which Locke and his followers reacted : he seizes on those of Locke's precepts which can , with a little interpretive dexterity , be made to bear a conservative or ...
... Locke , he is in some ways typical of those tendencies against which Locke and his followers reacted : he seizes on those of Locke's precepts which can , with a little interpretive dexterity , be made to bear a conservative or ...
Sisältö
Acknowledgments | 9 |
The Child in Restoration Comedy | 36 |
Augustan Comedy and the Validation of Issue | 51 |
Tekijänoikeudet | |
8 muita osia ei näytetty
Yleiset termit ja lausekkeet
adults affection allowed attempt attitudes baby bastard become begins birth bring century characters child childhood comedy comes comic concern course daughter death desire earlier early Edited eighteenth eighteenth-century English especially example existence expressions father feelings fiction Fielding figure follow fondness girl give hand History human husband idea imaginative infant innocence keep kind later leave less letter lives Locke Locke's London look marriage married means mind Moll mother narrative narrator natural never notes novel novelists nurse offer offspring once Pamela parents parish passage perhaps period play pleasure poor practice present Press rake reader reason reference relations responsibility Restoration Roxana scene seems seen sexual shows social stage story suggest taken tells thought tion turn University wife woman women writers young
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