Children, Parents, and the Rise of the NovelUniversity of Delaware Press, 1995 - 252 sivua "In Children, Parents, and the Rise of the Novel, T. G. A. Nelson challenges the views of literary critics who contend that the child held little importance as a theme of imaginative literature in the first half of the eighteenth century. Nelson's work follows thirty years of intense discussion of children and childhood by social historians, most of whom see the first half of the eighteenth century as a time of momentous change." "In Restoration comedy, for example, the child is a signifier of unwanted burdens that may fall on the parents: wit and cunning are expended in transferring responsibility for children to convenient dupes. However, in the early novel, in periodical literature, and in other discourses of concern, the comic, dismissive response toward children is increasingly marginalized and subjected to negative criticism, especially when attributed to wealthy or socially distinguished characters. In traditional comedy, rejection of children characterized the carefree rake, who, though satirized at times, was generally projected as an embodiment of the life-force. In the new writing, rejection of children is firmly associated with frigidity, especially among the rich, not with life-giving energy." "Recent writers on the eighteenth-century novel have overstressed elements of covert hostility toward wives and children. This seems partly due to their own ideological rejection of the family and partly to their misunderstanding of the nature of fictional and dramatic narrative. Such narrative is unsuited to figurations of domestic peace and harmony; often it is in situations of domestic discord that the child figure becomes most active and significant in the world of the novel, but this does not mean that the novelists continued to present the child or the family negatively, as earlier dramatists had done. Overall, the child in eighteenth-century fiction is not merely more prominent than has been generally recognized, but is identifiable as a signifier of hope, vigor, spontaneity, and new life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Tulokset 1 - 3 kokonaismäärästä 27
Sivu 36
... appear and are mentioned only briefly ; when they do appear or are mentioned , it is usually the fear and embarrassment , the responsibility and even danger involved in the bearing and rearing of offspring that are foremost in the ...
... appear and are mentioned only briefly ; when they do appear or are mentioned , it is usually the fear and embarrassment , the responsibility and even danger involved in the bearing and rearing of offspring that are foremost in the ...
Sivu 50
... appear to have had some correspondence with contemporary life . And , what is more , a distinct change can be seen occurring with the move from Restoration to Augustan comedy , and from there to the periodical essay and the novel ...
... appear to have had some correspondence with contemporary life . And , what is more , a distinct change can be seen occurring with the move from Restoration to Augustan comedy , and from there to the periodical essay and the novel ...
Sivu 137
... appear . The protagonist of Defoe's Colonel Jack ( 1722 ) , for example , observes : My Mother kept very good Company , but that part belongs to her Story , more than to mine ; all I know of it , is by oral Tradition thus ; my Nurse ...
... appear . The protagonist of Defoe's Colonel Jack ( 1722 ) , for example , observes : My Mother kept very good Company , but that part belongs to her Story , more than to mine ; all I know of it , is by oral Tradition thus ; my Nurse ...
Sisältö
Acknowledgments | 9 |
The Child in Restoration Comedy | 36 |
Augustan Comedy and the Validation of Issue | 51 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
adults affection Allworthy Amelia Ariès attitudes baby bastard birth Booth Camillo century characters chil child childhood Clarissa Colonel Jack comic concern daughter death Defoe Defoe's discourse dren early modern early novel Edited eighteenth eighteenth-century novel essay father feelings fiction Fielding Fielding's first-person narrative fondness foundling frigidity girl Gulliver's Travels Heartfree human husband idyll impulse infant infanticide innocence Jonathan Wild Jones Joseph Andrews Lady later lives Locke Locke's Lockean London Love for Love Lovelace marriage married maternal ment mistress Moll Flanders Moll's mother motherhood narrative narrator natural never novelists nurse offspring Pamela parenthood parents parish period Peter Coveney Peter Laslett Philippe Ariès play pleasure poor rake reader responsibility Restoration comedy Richardson Roxana satire scene seems sentimental sexual shows Smollett social stage comedy suckling Tatler thought Thoughts Concerning Education tion Tom Jones University Press wife woman women writers young
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