Children, Parents, and the Rise of the NovelUniversity of Delaware Press, 1995 - 252 sivua "In Children, Parents, and the Rise of the Novel, T. G. A. Nelson challenges the views of literary critics who contend that the child held little importance as a theme of imaginative literature in the first half of the eighteenth century. Nelson's work follows thirty years of intense discussion of children and childhood by social historians, most of whom see the first half of the eighteenth century as a time of momentous change." "In Restoration comedy, for example, the child is a signifier of unwanted burdens that may fall on the parents: wit and cunning are expended in transferring responsibility for children to convenient dupes. However, in the early novel, in periodical literature, and in other discourses of concern, the comic, dismissive response toward children is increasingly marginalized and subjected to negative criticism, especially when attributed to wealthy or socially distinguished characters. In traditional comedy, rejection of children characterized the carefree rake, who, though satirized at times, was generally projected as an embodiment of the life-force. In the new writing, rejection of children is firmly associated with frigidity, especially among the rich, not with life-giving energy." "Recent writers on the eighteenth-century novel have overstressed elements of covert hostility toward wives and children. This seems partly due to their own ideological rejection of the family and partly to their misunderstanding of the nature of fictional and dramatic narrative. Such narrative is unsuited to figurations of domestic peace and harmony; often it is in situations of domestic discord that the child figure becomes most active and significant in the world of the novel, but this does not mean that the novelists continued to present the child or the family negatively, as earlier dramatists had done. Overall, the child in eighteenth-century fiction is not merely more prominent than has been generally recognized, but is identifiable as a signifier of hope, vigor, spontaneity, and new life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 33
Sivu 93
... turn a notion of the arbitrary and provisional nature of family ties , which Locke had used to counteract the ... turns this argument round to establish that a child has no right to affection from its father unless it behaves , and ...
... turn a notion of the arbitrary and provisional nature of family ties , which Locke had used to counteract the ... turns this argument round to establish that a child has no right to affection from its father unless it behaves , and ...
Sivu 159
... turn " ( 1975 , 573 ) . Emphasis on the negative aspects of motherhood is not , of course , characteristic of every eighteenth - century novel : Field- ing's Amelia and Richardson's Pamela , to choose only the two most prominent ...
... turn " ( 1975 , 573 ) . Emphasis on the negative aspects of motherhood is not , of course , characteristic of every eighteenth - century novel : Field- ing's Amelia and Richardson's Pamela , to choose only the two most prominent ...
Sivu 169
... turning about Heartfree's use of his chil- dren as consolations in time of trouble . At times the narrator seems willing ... turn in on itself . The good angel who shakes Heartfree out of his melancholy is Friendly , the loyal apprentice ...
... turning about Heartfree's use of his chil- dren as consolations in time of trouble . At times the narrator seems willing ... turn in on itself . The good angel who shakes Heartfree out of his melancholy is Friendly , the loyal apprentice ...
Sisältö
Acknowledgments | 9 |
The Child in Restoration Comedy | 36 |
Augustan Comedy and the Validation of Issue | 51 |
Tekijänoikeudet | |
8 muita osia ei näytetty
Yleiset termit ja lausekkeet
adults affection allowed attempt attitudes baby bastard become begins birth bring century characters child childhood comedy comes comic concern course daughter death desire earlier early Edited eighteenth eighteenth-century English especially example existence expressions father feelings fiction Fielding figure follow fondness girl give hand History human husband idea imaginative infant innocence keep kind later leave less letter lives Locke Locke's London look marriage married means mind Moll mother narrative narrator natural never notes novel novelists nurse offer offspring once Pamela parents parish passage perhaps period play pleasure poor practice present Press rake reader reason reference relations responsibility Restoration Roxana scene seems seen sexual shows social stage story suggest taken tells thought tion turn University wife woman women writers young
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