Critical Writing for the JournalistChilton Company, Book Division, 1959 - 207 sivua |
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Tulokset 1 - 3 kokonaismäärästä 28
Sivu 122
... ( lines 31 to 47 and 66 to 82 ) . It avoids picking out any particular artists but gives a clue to them ( lines 13 , 14 , 24 to 28 , 37 to 43 ) . Nor does it condemn regional art as such . The news aspects are kept to a minimum ( lines 1 ...
... ( lines 31 to 47 and 66 to 82 ) . It avoids picking out any particular artists but gives a clue to them ( lines 13 , 14 , 24 to 28 , 37 to 43 ) . Nor does it condemn regional art as such . The news aspects are kept to a minimum ( lines 1 ...
Sivu 147
... ( lines 1 to 11 ) . Lines 12 to 19 suggest to the reader that he will be given the reasons for the literary change that is noted . Lines 20 to 34 document the assertion that anonymity once was the rule among journalists . From 34 to 109 ...
... ( lines 1 to 11 ) . Lines 12 to 19 suggest to the reader that he will be given the reasons for the literary change that is noted . Lines 20 to 34 document the assertion that anonymity once was the rule among journalists . From 34 to 109 ...
Sivu 162
... lines 34 to 62 we find general background on recording of music . From lines 63 to 135 Mr. Marsh discusses Toscanini's recording sessions , methods , and results . He then ( lines 136 to 320 ) takes up , in what constitutes the heart of ...
... lines 34 to 62 we find general background on recording of music . From lines 63 to 135 Mr. Marsh discusses Toscanini's recording sessions , methods , and results . He then ( lines 136 to 320 ) takes up , in what constitutes the heart of ...
Sisältö
What Is Critical Writing? | 1 |
Extent and Functions | 13 |
X3 The Criticisms of Journalistic Criticism | 25 |
Tekijänoikeudet | |
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advertising American appears artists background become beginning Book Review called career changes chapter column common concert consider copy course cover critical article critical writing daily devoted drama Edited editor effect entire example explained expression fact follow function give given ideas important interest issue journalism journalistic criticism leading less lines literary magazines material matter means method movie music critic nature newspapers noted once opening opinions painting paragraph performance periodicals persons play practice prepared present printed produced published radio readers recordings regular reporter short sometimes space standards story style Symphony syndicate television theater things tion Toscanini United usually various views volume widely written wrote York