Medieval and Renaissance Drama in England, Nide 7J. Leeds Barroll Fairleigh Dickinson Univ Press, 1995 - 448 sivua Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare. |
Sisältö
| 19 | |
Guild Casting in the Corpus Christi Drama | 76 |
The SixteenthCentury Minstrel in a Musical Context | 98 |
The Elizabethan Poor Laws and the Stage in the Late 1590s | 121 |
The Authorship of Henry the Sixth Part One | 145 |
The Jacobean Masque as Colonial Discourse | 206 |
Our Musicke Runs Much upon Discords | 224 |
Feminine Construction of Patriarchy Or Whats Comic in The Tragedy of Mariam | 257 |
Sandra Billington Mock Kings in Medieval Society and Renaissance Drama | 373 |
Karen Newman Fashioning Femininity and English Renaissance Drama | 379 |
Political Thought and Theater in the English Renaissance | 381 |
Essays in Early Modern Culture | 385 |
16001606 | 389 |
Phillip J Ayres ed Sejanus His Fall by Ben Johnson | 393 |
Jennifer Brady and W H Herendeen eds Ben Jonsons 1616 Folio | 401 |
Elizabethan and Jacobean Censorship | 404 |
Writing and Dueling in the English Renaissance | 275 |
Thomas Heywoods Edward IV and If You Know Not Me You Know Nobody | 305 |
The Masque as Sociopolitical Subtext | 338 |
Reviews | 355 |
Lee Patterson ed Literary Practice and Social Change in Britain 13501530 | 357 |
CounterLollardy in the Towneley Cycle | 362 |
The Planctus Marine in the Dramatic Tradition of the Middle Ages | 365 |
David N Klausner ed Herefordshire Worcestershire Records of Early English Drama | 370 |
Prophecy Poetry and Power in Renaissance England | 411 |
A R Braunmuller and Michael Hattaway The Cambridge Companion to English Renaissance Drama | 418 |
New Series 20 Essays on Dramatic TraditionsChallenges and Transmissions | 422 |
Philip J Finkelpearl Court and Country Politics in the Plays of Beaumont and Fletcher | 426 |
Royalist Literature 16411660 | 432 |
Index | 437 |
Yleiset termit ja lausekkeet
actors appears architectural argues audience authorship Beaumont Beaumont and Fletcher brackets Cambridge canon censorship challenge chamber chapter collaborative Compositor Corpus Christi plays court critics cultural Dobin dueling Duke of York early modern economic edition Edward Edward IV Elizabeth Elizabethan England English Renaissance episode essay evidence example figures Finkelpearl Folio genre Greenblatt guild hall haue Henry Henry VI Herod Heywood historicism history play Hobs honor Howard ideology II.iv Irish Jacobean John Jonson's king king's language late literary London Lord Mariam marriage masque medieval merchants minstrels musicians Nashe Othello Oxford percent performed playwrights political polyphonic poor Prince records REED Renaissance Drama repertory Richard Richard III roles rooms royal Salome scene Sejanus Shakespeare shawms sixteenth century social stage texts textual theater theatrical Thomas Thomas Heywood tion Titus traditional Tragedie of Mariam tragedy Tudor University Press William women Woodfill words writing
Suositut otteet
Sivu 132 - Under the shade of melancholy boughs, Lose and neglect the creeping hours of time ; If ever you have look'd on better days, If ever been where bells have knoll'd to church, If ever sat at any good man's feast, If ever from your eyelids wiped a tear And know what 'tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Sivu 165 - Lost, or Romeo and Juliet ; and then read in the same way this speech, with especial attention to the metre ; and if you do not feel the impossibility of the latter having been written by Shakspeare, all I dare suggest is, that you may have ears, — for so has another animal, — but an ear you cannot have, me judice.
Sivu 153 - How would it haue ioyed braue Talbot (the terror of the French) to thinke that after he had lyne two hundred yeares in his Tombe, hee should triumphe againe on the Stage, and haue his bones newe embalmed with the teares of ten thousand spectators at least (at seuerall times) who, in the Tragedian that represents his person, imagine they behold him fresh bleeding...
Sivu 51 - Certes in noblemen's houses it is not rare to see abundance of arras, rich hangings of tapestry, silver vessel, and so much other plate as may furnish sundry cupboards...
Sivu 51 - ... whereby the value of this and the rest of their stuff doth grow to be almost inestimable. Likewise in the houses of knights, gentlemen, merchantmen, and some other wealthy citizens, it is not geson to behold...
Sivu 51 - ... by virtue of their old and not of their new leases, have for the most part learned also to garnish their cupboards with plate, their joined beds with tapestry and silk hangings, and their tables with carpets and fine napery, whereby the wealth of our country (God be praised therefore, and give us grace to employ it well) doth infinitely appear.
Sivu 64 - On each side of the hall are six trees, having the natural bark so artfully joined, with birds' nests and leaves as well as fruit. upon them, all managed in such a manner that you could not distinguish between the natural and these artificial trees ; and, as far as I could see, there was no difference at all, for when the steward of the house opened the windows, which looked upon the beautiful pleasuregarden, birds flew into the hall, perched themselves upon the trees, and began to sing...
Sivu 333 - Brute, untill this day? beeing possest of their true use, for or because playes are writ with this ayme, and carryed with this methode, to teach their subjects obedience to their king, to shew the people the untimely ends of such as have moved tumults, commotions, and insurrections, to present them with the flourishing estate of such as live in obedience, exhorting them to allegeance, dehorting them from all trayterous and fellonious stratagems.
Sivu 391 - You taught me language; and my profit on't Is, I know how to curse : The red plague rid you, For learning me your language ! Pro.